Arts of the Americas
Colored pencil and ink on late 1916 ledger paper
each sheet: 11 1/2 x 17 5/8 in. (29.2 x 44.7 cm) (show scale)
(Old paper page title Citizens Nat'l Bank entry dated 1916) pg 183 on horses facing right; pg. 196 on horses facing left.
Left side along red paper line, Horse Nation, Linda Haukaas
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Gift of the artist
© Linda Haukaas
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Linda Haukaas (Sicangu Lakota, born 1957). Horse Nation, 8/2010. Colored pencil and ink on late 1916 ledger paper
, each sheet: 11 1/2 x 17 5/8 in. (29.2 x 44.7 cm). Brooklyn Museum, Gift of the artist, 2011.6a-b. © Linda Haukaas
component, 2011.6b_PS6.jpg. Brooklyn Museum photograph, 2011
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This complimentary pair of drawings depicts horses galloping across the background-facing opposite directions on each drawing, with four women with their backs to the viewer watching the horses. Each woman wears elaborate regalia and carries fans and pouches, the type of decorations used to decorate and honor horses. The details on each of their clothing depict warriors and horses in battle .To paraphrase the artist: The purpose of the drawings, "Horse Nation," is to honor 'tasunka wakan,' the horse, for its importance for the Lakota, Nakota and Dakota Oyate, the People. The horse allowed them to increase their mobility for travel and hunting, expand their territory, advance their 'akicita' (warrior societies that protect them), improve their economy, relieve their burdens and,as Linda indicates "most importantly gave women someone else to love."
Linda Haukaas recreates 19th century style ledger art within a modern context with themes that particularly highlight women's roles in Plains society and with ceremonial and daily scenes that resonate today. She researches Museum collections and her own history to authenticate the historical references. Since in the past such representative drawings would have been done solely by the male artist she has broken new boundaries as a female ledger artist.
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