Web of Life
On View: American Identities: A New Look, American Landscape, 5th Floor
This work is the final design for a twenty-six-foot mural, Web of Life (Texas Southern University Art Gallery, Houston), for the Nabrit Science Hall at Texas Southern University. John Biggers described its subject as “the interdependence of living organisms in the balance of nature, and the relationship of all organisms to one another through the long line of evolutionary descent.” Biggers centered the image on an essential earth mother, from whom creation expands in a delicately described network of lifeforms and sequential seasonal settings. Throughout, he paired oppositional references to life and death (winter and summer), male and female (the two nudes), and Africa and America (in vignettes of harvest and sowing). A leading twentieth-century African American painter and muralist, Biggers drew inspiration from the Mexican Mural Renaissance of the 1920s and 1930s, while also infusing the composition with the kind of organic, cellular design that was so current in midcentury American art.
Tempera on Wood
Inscribed on verso: "Web of Life / Mural Sketch / Nabrett Science Hall / T.S.U. Houston / John Biggers"
Brooklyn Museum Fund for African American Art and Florence B. and Carl L. Selden Fund
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John Biggers (American, 1924-2001). Web of Life, 1958. Tempera on Wood, 22 x 92 in. (55.9 x 233.7 cm). Brooklyn Museum, Brooklyn Museum Fund for African American Art and Florence B. and Carl L. Selden Fund, 2011.50. © artist or artist's estate
overall, 2011.50_PS6.jpg. Brooklyn Museum photograph, 2011
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