Collections: Decorative Arts: The Bamboozler (Child's Clothes Tree)

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Figure (Iginga)

Iginga is a generic Lega term for human figurines owned by the highest-ranking members of Bwami. This example most likely served to mark the...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Large Jar

    On the South Coast of Peru a mythological figure began appearing on ceramics and textiles about 200 to 100  

    Want to add this object to a set? Please join the Posse, or log in.


    The Bamboozler (Child's Clothes Tree)

    Like the Hang-It-All, The Bamboozler uses atom-derived, space-age shapes to “bamboozle” children into thinking that hanging up their clothing is fun. The designer, Richard Neagle, marketed The Bamboozler through magazine and newspaper ads that claimed: “Small fry might suppose it’s a convertible spaceship what with the revolving hat rack at the top. . . . [It] has been carefully designed so that your range rovers will find it quite a problem to knock it over.”

    • Designer: Richard Neagle, American, born 1922
    • Medium: Wood, metal
    • Place Manufactured: Philadelphia, Pennsylvania, United States
    • Dates: ca. 1953
    • Dimensions: 44 1/8 x 18 1/4 x 20 1/4 in. (112.1 x 46.4 x 51.4 cm)  (show scale)
    • Collections:Decorative Arts
    • Museum Location: This item is on view in Luce Visible Storage and Study Center, 5th Floor
    • Exhibitions:
    • Accession Number: 1993.6
    • Credit Line: Alfred T. and Caroline S. Zoebisch Fund
    • Rights Statement: Creative Commons-BY
    • Caption: Richard Neagle (American, born 1922). The Bamboozler (Child's Clothes Tree), ca. 1953. Wood, metal, 44 1/8 x 18 1/4 x 20 1/4 in. (112.1 x 46.4 x 51.4 cm). Brooklyn Museum, Alfred T. and Caroline S. Zoebisch Fund, 1993.6. Creative Commons-BY
    • Image: overall, 1993.6_transp546.jpg. Brooklyn Museum photograph
    • Catalogue Description: Whimsical clothes tree for children, called "The Bamboozler," made of painted wood and metal parts. Main pole comprised of four painted wood cylinders joined end-to-end in alternating red/white colors, standing on conforming circular black metal platform from which extend four black metal tubular legs at right angles; the legs extend straight out, then angle toward the floor, terminating in yellow wood ball feet. Surmounting the main pole is a platform or shelf made of three concentric black wire rings. The four wooden cylinders that comprise the main pole are fitted with various types of "appendages" or pegs, from top to bottom: (1) yellow wooden rod inserted perpendicularly through cylinder with a blue crescent-shaped form attached at one end and, at the other end, a black metal rod inserted perpendicularly with yellow wooden ball at either end, and a hanging black metal rod with a semicircular wooden form attached to its end; (2) a black metal rod with yellow wooden ball at either end inserted through cylinder to form two pegs ; (3) blue wooden rod extends from cylinder to form one peg; (4) two metal rods project perpendicularly from cylinder in a V-shape and then turn straight up, terminating in blue wooden balls. CONDITION: Good; a number of wooden balls are loose, vertical crack in surface of main pole
    • Record Completeness: Best (85%)
    advanced 109,191 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Please note, the Museum does not provide monetary appraisals. Please see our FAQ.

    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.