Armchair (Renaissance Revival style)
On View: Luce Visible Storage and Study Center, 5th Floor
Walnut, burl walnut veneer, original upholstery
42 3/4 x 28 3/4 x 33 1/4 in. (108.6 x 73.0 x 84.4 cm) (show scale)
H. Randolph Lever Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
John Jelliff & Company (1836-1890). Armchair (Renaissance Revival style), ca. 1870. Walnut, burl walnut veneer, original upholstery, 42 3/4 x 28 3/4 x 33 1/4 in. (108.6 x 73.0 x 84.4 cm). Brooklyn Museum, H. Randolph Lever Fund, 1994.18. Creative Commons-BY
overall, 1994.18_view1_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Armchair, walnut with burl walnut veneer, original upholstery. Elaborately carved, Renaissance Revival style frame, upholstered seat, seatback, arm unit and outside back. Crest rail pierced with high relief circular central medallion with female classical warrior profile flanked by symmetrical vertical finials and scrolling brackets. Medallion topped by semi-circular arch with incised decoration and scrolled acanthus leaf laid over each arch. Sides of seatback frame curve upward and outward and terminate in drop finials with thee-leaf palmettes and pendant finials with incised decoration. Sides of seatback frame descend into a large single volute with overlaid anthemion. Front of arms with high relief carving of female busts with single centered tassel and incised decoration below. Corner blocks of seat rail with conventionalized decoration; burl veneer panels across front of seat rail. Central scrolled inverted pendant on front seat rail with conventionalized decoration. Front legs are trumpet-turned with incised moldings. Rear undecorated legs flare outward. Metal castors on four legs with wood wheels, appear to be original. Circular bumper with pile fabric cover and gilded finish collar on center top of outside back. Upholstered seatback and arm unit with diamond tufting and channeling at top and bottom. Tufts held in place by self-covered buttons. Flat tape trim on perimeter of seatback, front seat rail, outside back and around front of arms. Twisted cord trim on front edge of seat. Cover is six-color damask (yellow, ecru, orange, light orange, gray, red) with gold ground and large repeat symmetrical floral design.
Condition: Textile in poor condition, upholstery in fair condition. Very minor losses to feet, some age cracks. Finish clean and waxed before sale to museum.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.