Tazza, Modernist Pattern
On View: Luce Visible Storage and Study Center, 5th Floor
5 3/4 x 6 11/16 x 5 5/16 in. (14.6 x 17 x 13.5cm) (show scale)
Stamped on underside of base, near one edge: "[eagle; 'R' in shield; lion passant] / STERLING / 1020"
Stamped on underside of base, near opposite edge: [tiny illegible hallmark]
Marie Bernice Bitzer Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Reed & Barton (American, 1840-present). Tazza, Modernist Pattern, ca. 1928. Silver, 5 3/4 x 6 11/16 x 5 5/16 in. (14.6 x 17 x 13.5cm). Brooklyn Museum, Marie Bernice Bitzer Fund, 2000.42. Creative Commons-BY
overall, 2000.42.jpg. Brooklyn Museum photograph, 2004
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Shallow, rectangular silver bowl sits on stem rising from a flat rectangular base. Stem is composed of a cluster of four square freestanding columns intersected at three points by flat square platforms passing through the columns and projecting outward on all sides. Edges of base and bowl are decorated with simulated bars crossed at corners.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.