Mask (Nganga Diphombe)
Arts of Africa
On View: African Storage Annex, East Gallery, 1st Floor
This mask was worn by a Yombe nganga, or ritual expert. Its white color probably represents the spirit of a deceased person. White was also associated with justice, order, truth, invulnerability, and insight—all virtues associated with the nganga.
10 7/8 x 7 3/4 x 5 1/2 in. (27.6 x 19.7 x 14 cm) (show scale)
Museum Expedition 1922, Robert B. Woodward Memorial Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Kongo (Yombe subgroup). Mask (Nganga Diphombe), 19th century. Wood, pigment, 10 7/8 x 7 3/4 x 5 1/2 in. (27.6 x 19.7 x 14 cm). Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund, 22.224. Creative Commons-BY
overall, 22.224_PS2.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Soft wood, anatomically natural mask of an expressive face with openings for almond-shaped eyes and a mouth with deliberately filed teeth; ears have been carved in place. It appears that the front of the face was once entirely covered with white pigment, but presently much is missing. There is a strong area of red-brown pigment across the top of the forehead and at the sides of the mask. The lips are painted blue, but much of the pigment there is lost, especially on the upper lip. The eyebrows were originally denoted by carved lines and filled-in blue and black pigment. There are remnants of pigment in the proper left eyebrow but only tiny traces of blue on the proper right eyebrow. The hair area, in general, is uniformly covered in black pigment. There are losses, however, and the color varies from matte to shiny. The mask contains some material losses on the edges. Within the mask are nicks and scratches overall. The mask is in fair condition.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.