Handsome Morning -- A Dakota
Harry C. Edwards
On View: American Identities: A New Look, Centennial Era, 5th Floor
In this studio portrait, the Brooklyn artist Harry Edwards painted the Native American Handsome Morning, wearing a fringed shift with painted emblems, a bead-and-quill necklace, beaded moccasins, and a ceremonial blanket of fur-lined buffalo hide painted with abstract motifs (a speciality of Dakota women). Edward's identification of his sitter as a Dakota, or a Sioux, is meaningful because the Sioux retained perhaps the most lasting hold on white imaginations owing to the charismatic Ghost Dance movement. Inspired by the visions of a Paiute Indian, a wave of the Sioux communities began the practice of the Ghost Dance in the late nineteenth century to bring about the return of legions of their dead and of Sioux lands to their natural state. White fears of the movement's emotional force ultimately led to the murder of Sitting Bull and the violent confrontation at Wounded Knee, South Dakota, in 1890.
Oil on canvas
72 1/16 x 36 1/16 in. (183 x 91.6 cm) (show scale)
Signed lower left: "c / 1921 / BY / H.C.EDWARDS"
Gift of the Estate of Grace C. Edwards
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Harry C. Edwards (American, 1868-1922). Handsome Morning -- A Dakota, 1921. Oil on canvas, 72 1/16 x 36 1/16 in. (183 x 91.6 cm). Brooklyn Museum, Gift of the Estate of Grace C. Edwards, 26.149
overall, 26.149_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.