Figure of a Mother Holding a Child (Lupingu lwa Cibola)
Arts of Africa
On View: Double Take Installation, East Gallery, 1st Floor
ART OF TRAUMA
Both of these very different Congolese works are deeply emotional expressions. One was commissioned to resolve a personal trama, while the other represents a viscerally remembered social upheaval from the colonial era.
Figures like this mother and child were believed to offer protection, through the intervention of spirits, by the Bwanga Bwa Cibola society. When a woman lost successive children through miscarriages or early infant death, she could be initiated into the society to protect herself from ominous forces suspected to be the cause of the deaths. This emotionally gripping figure is considered to be one of the great masterpieces of African art.
Tshibumba's painting depicts the slaughter of striking mineworkers in Lubumbashi at the order of the Belgian colonial government on December 9, 1941. The artist critiques the institutions complicit in the colonial system: Belgium (represented by the flag), the church, the mining company, the colonial governor (with arm raised), and the Congolese soldiers in the colonial army. Following independence in 1960, a market for narrative painting developed among urban Congolese who were working in mining factories and living in new, Western-style homes.
Wood, copper alloy, palm oil, camwood paste, organic materials
14 x 3 3/8 x 3 1/2 in. (35.6 x 8.6 x 8.9 cm) (show scale)
Museum Collection Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Lulua. Figure of a Mother Holding a Child (Lupingu lwa Cibola), 19th century. Wood, copper alloy, palm oil, camwood paste, organic materials, 14 x 3 3/8 x 3 1/2 in. (35.6 x 8.6 x 8.9 cm). Brooklyn Museum, Museum Collection Fund, 50.124. Creative Commons-BY
overall, 50.124_edited_version_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
A wood maternity figure of a woman holding a child which twists her arms. The face of the woman shows elaborate scarification. Below the chest the body is not well defined and narrows considerably. The navel is quite prominent but the remainder of the figure is like a staff. There is no indication of the legs etc.
Condition: Good. From the waist down there is no body.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.