The Wilbour Plaque
Egyptian, Classical, Ancient Near Eastern Art
On View: Egypt Reborn: Art for Eternity, Amarna Period, Martha A. and Robert S. Rubin Gallery, 3rd Floor
The Wilbour Plaque is named for the early American Egyptologist Charles Edwin Wilbour (1833–1896), who acquired it in Egypt in 1881. The small slab is not part of a larger scene but complete as it was made. It was intended as a sculptor's model, to be studied and imitated by students and beginning artists. With the hole at the top, it could be hung on a workshop wall. On the left is the head of a king, most probably a representation of Akhenaten, who wears the baglike khat headdress with a royal uraeus. Opposite him is the head of a queen wearing the ovoid cap crown often worn by Nefertiti, also with a uraeus. Both heads have ear holes for earrings. The carving is a splendid example of the elegant royal style that developed toward the end of the Amarna Period.
ca. 1352-1336 B.C.E. or slightly later
late XVIII Dynasty
New Kingdom, Amarna Period
6 3/16 x 8 11/16 x 1 5/8 in. (15.7 x 22.1 x 4.1 cm) (show scale)
Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father, Charles Edwin Wilbour
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The Wilbour Plaque, ca. 1352-1336 B.C.E. or slightly later. Limestone, 6 3/16 x 8 11/16 x 1 5/8 in. (15.7 x 22.1 x 4.1 cm). Brooklyn Museum, Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father, Charles Edwin Wilbour, 16.48. Creative Commons-BY
overall, 16.48_bw_IMLS.jpg. Brooklyn Museum photograph
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Sunk relief heads of Akhenaten and Nefertiti. Probably made as a model for sculptors. Circular suspension hole at top.
Traces of red paint on faces and crowns.
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