Lion-Shaped Furniture Leg
Egyptian, Classical, Ancient Near Eastern Art
On View: Egypt Reborn: Art for Eternity, Special Exhibitions, Egyptian Galleries, 3rd Floor
In both Egypt and Nubia the lion was associated with the sun god and symbolized royalty. Because the king was seen as a living embodiment of the sun, leonine images conveyed both connotations. The broad ruff with incised zigzag decoration is characteristic of representations of lions from the Twenty-fifth Dynasty, when Egypt was ruled by Nubian kings. A cartouche of the Kushite king Aspelta, a ruler who resided in the Nubian capital, Napata, appears on the front of the furniture leg.
ca. 690-664 B.C.E.
Third Intermediate Period
13 7/8 x 3 9/16 x 5 1/2 in. (35.3 x 9 x 14 cm) (show scale)
Charles Edwin Wilbour Fund
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Nubian. Lion-Shaped Furniture Leg, ca. 690-664 B.C.E. Wood, 13 7/8 x 3 9/16 x 5 1/2 in. (35.3 x 9 x 14 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.42E. Creative Commons-BY
3/4 front, CUR.37.42E_NegI_bw.jpg
. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Wooden furniture element or part of a temple ornament carved in the form of a lion seated on a base. An inscription running down the front of the mane contains the titles and name Aspelta, King of Kush, (Nubia), at the time of the campaign of the Egyptian King Psamtik II against the Kushites. It was perhaps then brought to Egypt. The lion is coarsely carved and the body is elongated with the tail curved around the left haunch. The mane is represented by; a protruding disk shaped area around the face with hair indicated by zig-zag lines, a bib-like front mane reaching past the knees and scored horizontally and another portion covering the back of the head from top to shoulders with an overlapping zig-zag pattern. The piece seems to have been covered with plaster perhaps and then possibly painted.
Condition: Good. A crack on the left side of base running with the grain, a chip on the corner, back right side.
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