Bernardino de'Conti (Italian, Milanese School, documented 1494–1522). <em>Portrait of Catellano Trivulzio</em>, 1505. Tempera and oil on panel, N29 1/8 × 22 1/4 in., 62 lb. (74 × 56.5 cm). Brooklyn Museum, Bequest of A. Augustus Healy, 21.141 (Photo: Brooklyn Museum, 21.141_SL3.jpg)

Bernardino de'Conti (Italian, Milanese School, documented 1494–1522). Portrait of Catellano Trivulzio, 1505. Tempera and oil on panel, N29 1/8 × 22 1/4 in., 62 lb. (74 × 56.5 cm). Brooklyn Museum, Bequest of A. Augustus Healy, 21.141 (Photo: Brooklyn Museum, 21.141_SL3.jpg)

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Download our app and ask your own questions during your visit. Here are some that others have asked.

Any egg tempera paintings?

Oh, let me look into that! Are you an artist? I have found that artists are often interested in materials.

Sort of! I just came from the library and saw some really amazing egg tempera paintings.

Many of the religious paintings in the Beaux-Arts Court, where you are, were painted with tempera. In the Renaissance-era, tempera was mixed with egg and that material practice has been used actually since ancient Egypt through the Renaissance until it was eventually replaced with oil paints.

Oh! Awesome! Why was it replaced?

Mainly because the effects that can be achieved with oil paints are much greater than with tempera. Artists could achieve more color, depth and contrasts with oil. Oil takes much longer to dry allowing the artist to continually make changes and add layers of color. The surface is often brighter.

Portrait of Catellano Trivulzio

Bernardino de'Conti

European Art

Bernardino de’Conti painted Catellano Trivulzio at age twenty-six with his face in strict profile, as if on an antique medal or coin. The sitter’s splendid velvets, furs, and embroideries are typical trappings of Renaissance Milan’s powerful, affluent class. According to archival documents, Trivulzio was unpopular among his fellow Milanese, perhaps because of his family’s active role in the French occupation of the city from 1499 to 1512.

ARTIST Bernardino de'Conti, Italian, Milanese School, documented 1494–1522

MEDIUM Tempera and oil on panel

Place Made: Milan, Italy

DATES 1505

DIMENSIONS N29 1/8 × 22 1/4 in., 62 lb. (74 × 56.5 cm) frame: 4 1/2 × 54 3/8 × 37 in. (11.4 × 138.1 × 94 cm) (show scale)

INSCRIPTIONS Inscribed across top: "CATELLAN TRIVULCIUS ANNORUM 26 1505 DIE 13 MARTII"

COLLECTIONS European Art

ACCESSION NUMBER 21.141

CREDIT LINE Bequest of A. Augustus Healy

EXHIBITIONS

MUSEUM LOCATION This item is not on view

CAPTION Bernardino de'Conti (Italian, Milanese School, documented 1494–1522). Portrait of Catellano Trivulzio, 1505. Tempera and oil on panel, N29 1/8 × 22 1/4 in., 62 lb. (74 × 56.5 cm). Brooklyn Museum, Bequest of A. Augustus Healy, 21.141 (Photo: Brooklyn Museum, 21.141_SL3.jpg)

IMAGE framed, 21.141_SL3.jpg. Brooklyn Museum photograph

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Download our app and ask your own questions during your visit. Here are some that others have asked.

Any egg tempera paintings?

Oh, let me look into that! Are you an artist? I have found that artists are often interested in materials.

Sort of! I just came from the library and saw some really amazing egg tempera paintings.

Oh! Awesome! Why was it replaced?