Figure of a Hornblower
Arts of Africa
On View: Double Take Installation, East Gallery, 1st Floor
ART OF HISTORY
History is about power, and its depiction is a consequential act. These two works—a technically refined casting of precious materials for a powerful monarch, and a group of movable wood figures celebrating a new democratic era—commemorate specific important moments in the political histories of their respective societies.
The Edo figure glorifies the spirit of a deceased king, or oba, who ruled the kingdom of Benin at the height of its power. A motif on the figure's kilt depicting an elephant, whose trunk ends in a human right hand, identifies this work with the reign of the oba Esigie, who ruled from 1504 to 1550.
Johannes Segogela's sculpture addresses the South African transition from the armed liberation struggle against whites-only apartheid rule into the new democratic era, born the following year with the multiracial elections that swept Nelson Mandela to power. The work suggests the need for South Africans to cast their weapons into the furnace.
24 1/2 x 8 1/2 x 6 in. (62.2 x 21.6 x 15.2 cm) (show scale)
Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection
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Edo. Figure of a Hornblower, ca. 1504-50. Copper alloy, 24 1/2 x 8 1/2 x 6 in. (62.2 x 21.6 x 15.2 cm). Brooklyn Museum, Gift of Mr. and Mrs. Alastair B. Martin, the Guennol Collection, 55.87. Creative Commons-BY
overall, 55.87_view2_SL4.jpg. Brooklyn Museum photograph, 2014
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Blowing a horn or flute with his right hand, his left arm is truncated. He wears a netted cap with chevron design decorated with a feather. Around his neck are two collars: one of coral, the other of cowrie shells and teeth. He wears a kind of vest decorated with an interlocking design and supported by a strap around his neck. This is attached at the waist to a skirt which is drawn up at the side in a point. A belt is tied in a knot around the waist, and a lower belt with tassels connecting the skirt at the back. The over-skirt has a pattern of human faces, leopard faces, arms, half-moons, and other leaf forms. He wears five bracelets on his right hand. There is an undershirt exposed on the left side which has an interlocking design. The lower border of the outfit has a guilloche pattern. Condition: Generally good although the left arm is truncated just below the shoulder and the horn or flute is broken off at both ends. The tip of the feather on the cap is broken off, too. Judging from the surface which is remarkable in that it is free from corrosion products or patination, it has been kept mostly or entirely in protected places.
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