Magdalene Anyango N. Odundo
Arts of Africa
On View: Double Take Installation, East Gallery, 1st Floor
ART OF CREATION
While these works appear quite different on the surface, both are made from the same material, terracotta. They were also created through very similar techniques, in which the artist built up the form from thin coils of clay to produce a hollow vessel that could be further sculpted and fired.
The head from the Nok culture is an archaeological fragment, possibly once part of a full figure. One of the oldest pieces in the African collection, it was found at one of the earliest known iron-smelting sites in Africa.
Magdalene Odundo, a contemporary artist drawing on the global history of pottery, used an understated anthropomorphic vocabulary to create this abstract, burnished vessel that evokes the female form. Odundo achieved the black, smoky finish by covering her pots with a clay slip and firing them in a closed kiln with combustible materials such as wood chips.
Since pottery has long been associated with women’s work across the African continent, some scholars have speculated that female artists created the ancient Nok statuary. It is thus possible that the two works displayed here—among the African collection's oldest and newest, respectively—may both be by women artists.
16 x 10 x 10 in. (40.6 x 25.4 x 25.4 cm) (show scale)
Signed and dated on base
Purchased with funds given by Dr. and Mrs. Sidney Clyman and Frank L. Babbott Fund
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Magdalene Anyango N. Odundo (British, born Kenya 1950). Vessel, 1990. Ceramic, slip, 16 x 10 x 10 in. (40.6 x 25.4 x 25.4 cm). Brooklyn Museum, Purchased with funds given by Dr. and Mrs. Sidney Clyman and Frank L. Babbott Fund, 1991.26. Creative Commons-BY
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Black narrow-necked, symmentrical vessel made in 1990 by Magdalene Anyango N. Odundo who was born in Nairobi, Kenya (Luo, b.1950). Hand built vessel finished with a burnished slip and reduction-fired in a saggar to give a variegated black and orange-red surface. Condition: Excellent.
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