Ogata Kenzan, Ogata Korin
Kakuzara shapes echo Japanese poem cards (shikishi) and were intended both for aesthetic appreciation and for actual use. This kakazura's poem contains a pun on Ogata Kenzan's name, Ogata Korin's court title (hokkyo), and a reference to Jurojin, god of longevity:
The primordial chaos having divided,
The vital essence accumulated in the southern pole.
Heaven and earth coexisted from antiquity
And thus we call him Sun and Moon.
Earthenware with underglaze iron-oxide painted decoration
1 1/4 x 8 3/4 x 8 3/4 in. (3.1 x 22.3 x 22.3 cm) (show scale)
This item is not on view
A. Augustus Healy Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Ogata Kenzan (Japanese, 1663-1743). Square Dish, 1710-1730. Earthenware with underglaze iron-oxide painted decoration, 1 1/4 x 8 3/4 x 8 3/4 in. (3.1 x 22.3 x 22.3 cm). Brooklyn Museum, A. Augustus Healy Fund, 40.505. Creative Commons-BY
overall, 40.505_PS9.jpg. Brooklyn Museum photograph, 2014
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Tokugawa Period. Potted by Ogata Kenzan (1663-1743), Painted by Ogata Korin (1658-1716).
Square dish with raised straight sides; buff pottery covered with cream colored glaze which is irregularly crazed. On the interior, under the glaze, is painted a figure of Jurojin, one of the seven gods of good fortune and representing longevity. The figure, painted in the style of Ogata Korin and accompanied by a signature of the artist (now generally questioned), is represented in a seated position holding a scroll.
The drawing is in free style and is in shades of brown. In this same color a floral scroll decorates the sides on the interior and a simpler scroll pattern appears on the sides of the exterior. The dish is in the style of those potted by Ogata Kenzan (b. 1663 - d.1743) and his signature appears on the bottom of the dish. Some blue lines appear in the glaze on the interior as well as in several places on the edge. On the interior above the figure to the left is an inscription painted in black with red seals. Korin's signature appears to the left of the figure, and Kenzan's signature is beside his calligraphy in the upper left hand corner.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.