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Embroidery "Contraband 1862"

Unknown

Decorative Arts

On View: Luce Visible Storage and Study Center, 5th Floor
An abolitionist made this small, unfinished embroidery during the Civil War (1861–65), the year before the Emancipation Proclamation made slavery illegal in the rebellious Southern states. The composition is most likely derived from a political print of the era. At the outset of the Civil War, the North’s goal was not the abolition of slavery, but rather the preservation of the Union. It was a law in the North that runaway slaves, called “contraband,” were to be returned, although some Northern generals refused to do so. At first Lincoln himself wavered on this issue, but the fate of runaways became a political issue after the Union army occupied the Sea Islands off the coast of South Carolina in November 1861 and discovered ten thousand abandoned slaves. An outpouring of support for these abandoned slaves and other slaves who had escaped persuaded Lincoln to add emancipation as a goal of the Civil War and led directly to his Emancipation Proclamation of January 1, 1863.
ARTIST Unknown
MEDIUM Paper, wool
  • Possible Place Made: New York, United States
  • DATES 1862
    DIMENSIONS 9 1/2 x 7 3/8 in. (24.1 x 18.7 cm) Frame: 16 x 13 7/8 in. (40.6 x 35.2 cm)  (show scale)
    MARKINGS Unmarked
    SIGNATURE Unsigned
    COLLECTIONS Decorative Arts
    MUSEUM LOCATION This item is on view in Luce Visible Storage and Study Center, 5th Floor
    ACCESSION NUMBER L2006.5
    CREDIT LINE Lent anonymously in loving memory of Florence and Bernard Lewis
    RIGHTS STATEMENT Creative Commons-BY
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    CAPTION Unknown. Embroidery "Contraband 1862," 1862. Paper, wool, 9 1/2 x 7 3/8 in. (24.1 x 18.7 cm). Brooklyn Museum, Lent anonymously in loving memory of Florence and Bernard Lewis, L2006.5. Creative Commons-BY
    IMAGE overall, L2006.5_PS2.jpg. Brooklyn Museum photograph, 2008
    "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
    CATALOGUE DESCRIPTION A partially finished embroidery on a paper support depicting a black female figure in a red costume kneeling in a landscape in supplication at the proper left, a palm tree with a monkey at proper right. Below is embroidered: "Contraband 1862."
    RECORD COMPLETENESS Best (85%)
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