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Heather's Dégradé

Ghada Amer

Elizabeth A. Sackler Center for Feminist Art

In textiles, dégradé refers to the diminution of a fabric’s color when a dye fades from dark to light. In Heather’s Dégradé, Ghada Amer depicts women who seem to be in a state of dégradé, the outlines of their bodies, in explicit poses often culled from pornography, almost dissolving into overlapping forms that appear at a distance as an abstraction. Her choice of words is also a play on women’s “degradation” by the act of sex—traditionally thought to downgrade the social value of women—here depicted with pleasure and sensuousness. Amer’s choice of thread as a medium is a nod to the devaluation of sewing as “women’s work,” as well as to the modern perception that “craft,” as the production of those who labor for a living, has less intrinsic value than “fine” art.
MEDIUM Embroidery and gel medium on canvas
DATES 2006
DIMENSIONS 78 x 62 x 1 1/2 in. (198.1 x 157.5 x 3.8 cm)  (show scale)
SIGNATURE Signed in pencil on lower left edge of canvas: "Ghada Amer 06"
ACCESSION NUMBER 2013.50.1
CREDIT LINE Frank L. Babbott Fund, Mary Smith Dorward Fund, William K. Jacobs, Jr. Fund, and Florence B. and Carl L. Selden Fund
PROVENANCE Prior to 2008, provenance not yet documented; by 2008, acquired by the Arthur M. Sackler Collections Trust; 2013, purchased at Christie's, New York, NY by the Brooklyn Museum.
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MUSEUM LOCATION This item is not on view
CAPTION Ghada Amer (American, born Egypt, 1963). Heather's Dégradé, 2006. Embroidery and gel medium on canvas, 78 x 62 x 1 1/2 in. (198.1 x 157.5 x 3.8 cm). Brooklyn Museum, Frank L. Babbott Fund, Mary Smith Dorward Fund, William K. Jacobs, Jr. Fund, and Florence B. and Carl L. Selden Fund, 2013.50.1. © artist or artist's estate (Photo: Brooklyn Museum, 2013.50.1_PS9.jpg)
IMAGE overall, 2013.50.1_PS9.jpg. Brooklyn Museum photograph, 2013
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RIGHTS STATEMENT © Ghada Amer
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