Skip Navigation

Relief of Winged Man-Headed Figure Facing Left

Egyptian, Classical, Ancient Near Eastern Art

On View: Egypt Reborn: Art for Eternity, Ancient Middle Eastern Art, The Hagop Kevorkian Gallery, 3rd Floor
Originally these reliefs and all the others decorating the palace of King Ashur-nasir-pal II were brightly painted. When Austen Henry Layard discovered them in the 1840s, he reported extensive traces of black paint on the figures’ hair as well as white on their eyes and red on their feet. White paint was still visible on the eye of this genie as recently the 1970s, but it has since faded away.
CULTURE Assyrian
MEDIUM Alabaster
DATES ca. 883-859 B.C.E.
PERIOD Neo-Assyrian Period
DIMENSIONS 90 9/16 x 42 1/4 in. (230 x 107.3 cm)  (show scale)
CREDIT LINE Purchased with funds given by Hagop Kevorkian and the Kevorkian Foundation
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.

Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact (charges apply).

For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.

For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.

If you have any information regarding this work and rights to it, please contact
CAPTION Assyrian. Relief of Winged Man-Headed Figure Facing Left, ca. 883-859 B.C.E. Alabaster, 90 9/16 x 42 1/4 in. (230 x 107.3 cm). Brooklyn Museum, Purchased with funds given by Hagop Kevorkian and the Kevorkian Foundation, 55.154. Creative Commons-BY
IMAGE installation, Kevorkian Gallery Installation (2009), CUR.55.154_kev09.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.