Heart as Amulet
Egyptian, Classical, Ancient Near Eastern Art
The shapes of hieroglyphs for internal organs— and, therefore, their three-dimensional representations—are based on the organs of animals. This suggests that despite the immense anatomical knowledge gained from human mummification, animal organs were more familiar to the Egyptians than human ones.
9/16 x 3/8 x 7/8 in. (1.5 x 0.9 x 2.2 cm) (show scale)
This item is not on view
Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Heart as Amulet, 664-332 B.C. Carnelian, 9/16 x 3/8 x 7/8 in. (1.5 x 0.9 x 2.2 cm). Brooklyn Museum, Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour, 16.580.31. Creative Commons-BY
front, 16.580.31_front_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.