Mask (Gela)
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Object Label
Caption
Sapo. Mask (Gela), 20th century. Wood, metal, cowrie shells, bluing, kaolin, animal teeth, antelope and duiker horn, boar tusk, plant fibers, textile, mud, ceramic, 16 x 14 1/2 x 11 1/2 in. (40.6 x 36.8 x 29.2 cm). Brooklyn Museum, Gift of Mr. and Mrs. J Gordon Douglas III and Dr. and Mrs Milton Gross, by exchange, 2013.61.1. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Culture
Title
Mask (Gela)
Date
20th century
Geography
Place made: Sinoe or Grand Gedeh County, Liberia
Medium
Wood, metal, cowrie shells, bluing, kaolin, animal teeth, antelope and duiker horn, boar tusk, plant fibers, textile, mud, ceramic
Classification
Dimensions
16 x 14 1/2 x 11 1/2 in. (40.6 x 36.8 x 29.2 cm)
Credit Line
Gift of Mr. and Mrs. J Gordon Douglas III and Dr. and Mrs Milton Gross, by exchange
Accession Number
2013.61.1
Frequent Art Questions
Can you provide me with more information about this mask.
Made by a Sapo artist, the gela mask blends human and animal features. You'll notice that while the head shape is that of a human, a boar's snout takes the place of a human nose. The mask also includes animal teeth, antelope horns, and boar tusks. The feral nature and appearance of the gela acts as a counterexample to humans who are encouraged to embrace order and civilization.Is this from a female society?
Not quite. This Sapo Gela Mask was used in a performance to enact a terrifying force from the forest, home to untamed creatures. They are often called upon to reconcile problems within a community.It is believed that gela can gather up the ill will and negative feelings plaguing a community and deposit them back into the forest, where the untamed forces of nature rule.
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