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Photograph from the album cover shoot for Aladdin Sane, 1973. Photograph by Brian Duffy. Photo Duffy © Duffy Archive & The David Bowie Archive


                          
                          Photograph from the album cover shoot for Aladdin Sane, 1973. Photograph by Brian Duffy. Photo Duffy © Duffy Archive & The David Bowie Archive

Photograph from the album cover shoot for Aladdin Sane, 1973. Photograph by Brian Duffy. Photo Duffy © Duffy Archive & The David Bowie Archive

<p>Original photography for the <em>Earthling</em> album cover, 1997. Photograph by Frank W Ockenfels 3. © Frank W Ockenfels 3</p>

Original photography for the Earthling album cover, 1997. Photograph by Frank W Ockenfels 3. © Frank W Ockenfels 3

<p>Stage set model for the <em>Diamond Dogs</em> tour 1974. Designed by Jules Fisher and Mark Ravitz. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum</p>

Stage set model for the Diamond Dogs tour 1974. Designed by Jules Fisher and Mark Ravitz. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum

<p>Promotional photograph of David Bowie for <em>Diamond Dogs</em>, 1974. Photograph by Terry O'Neill. Image © Victoria and Albert Museum</p>

Promotional photograph of David Bowie for Diamond Dogs, 1974. Photograph by Terry O'Neill. Image © Victoria and Albert Museum

<p>Ice-blue suit, 1972. Designed by Freddie Burretti for the “Life on Mars?” video. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum</p>

Ice-blue suit, 1972. Designed by Freddie Burretti for the “Life on Mars?” video. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum

<p>Quilted two-piece suit, 1972. Designed by Freddie Burretti for the <em>Ziggy Stardust</em> tour. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum</p>

Quilted two-piece suit, 1972. Designed by Freddie Burretti for the Ziggy Stardust tour. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum

<p>The Archer, <em>Station to Station</em> tour, 1976. Photograph by John Robert Rowlands. © John Robert Rowlands</p>

The Archer, Station to Station tour, 1976. Photograph by John Robert Rowlands. © John Robert Rowlands

<p>Cut up lyrics for “Blackout” from <em>Heroes</em>, 1977. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum</p>

Cut up lyrics for “Blackout” from Heroes, 1977. Courtesy of The David Bowie Archive. Image © Victoria and Albert Museum

David Bowie is

March 2–July 15, 2018

Morris A. and Meyer Schapiro Wing and Iris and B. Gerald Cantor Gallery, 5th Floor

Brooklyn Museum Members receive free, priority-access tickets. Special tickets offer priority access. Standard tickets are timed every 15 minutes. All tickets include Sennheiser headphones for a complete audiovisual experience. Advance ticket purchase strongly recommended.

Organized with unprecedented access to David Bowie’s personal archive, this exhibition explores the creative process of an artist whose sustained reinventions, innovative collaborations, and bold characterizations revolutionized the way we see music, inspiring people to shape their own identities while challenging social traditions. David Bowie is has been touring globally for the past five years and is taking its final bow at the Brooklyn Museum, providing an opportunity to view this one-of-a-kind material.

David Bowie is presents approximately 400 objects drawn primarily from the David Bowie Archive, including the artist’s original costumes, handwritten lyric sheets from famous songs, original album art, photographs, and videos, all tracing Bowie’s creative process from his teenage years in England through his last twenty years, when he resided in New York City. The archive is presented within an immersive, multimedia installation that includes continuous audio along with projected animation and video.

Highlights of the exhibition include more than 60 custom-made performance costumes, including six designed by Freddie Burretti for Ziggy Stardust / 1980 Floor Show and seven designed by Kansai Yamamoto for Aladdin Sane. There are 85 handwritten lyric sheets, including those from “Fame” and “Fashion”; drawings, including a sketch for the Young Americans album cover; and oil paintings, including two of musician Iggy Pop, all by Bowie. There are also more than 40 pioneering music videos, television clips, and filmed roles as well as a multimedia presentation of international tour footage with rare scenes from the legendary Diamond Dogs tour, filmed in Philadelphia. A custom audio mix made up of snippets of Bowie’s songs—produced by longtime collaborator Tony Visconti—is also featured.

David Bowie is is organized by the Victoria and Albert Museum, London.

 



The Brooklyn Museum presentation is organized by Matthew Yokobosky, Director of Exhibition Design, Brooklyn Museum.

Sound experience by


Lead sponsorship for this exhibition is provided by

 

Generous support provided by

 

Preferred Hotel Partner

 

 

The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum Theater and Performance curators Victoria Broackes and Geoffrey Marsh, with essays by Camille Paglia, Jon Savage, Howard Goodall, Christopher Breward, Oriole Cullen, Nicholas Coleridge, and a roundtable discussion with Sir Christopher Frayling, Philip Hoare, Mark Kermode, and Geoffrey Marsh.

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