Iris van Herpen: Sculpting the Senses
Iris van Herpen: Sculpting the Senses celebrates one of the most forward-thinking fashion designers of her generation.
A pioneer in the use of new technologies, Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space, its relationship to clothing and its environment, and its future in a rapidly changing world.
More than 140 extraordinary haute couture creations are shown alongside contemporary artworks and designs—by artists including Philip Beesley, Rogan Brown, Casey Curran, Kim Keever, and Nick Knight—as well as scientific artifacts and natural history specimens such as coral, fossils, and skeletons. These accompanying pieces not only are placed in dialogue with Van Herpen’s designs, but also deeply inform and shape her creative process. Rare archival materials and a soundscape by composer Salvador Breed add to this interdisciplinary, multisensory experience.
In this way, the exhibition reveals the experimental spirit that has reshaped 21st-century fashion. Worn by luminaries including Beyoncé, Björk, Cate Blanchett, Miley Cyrus, Lady Gaga, and Ariana Grande, Van Herpen’s designs draw on biomimicry, fractal geometry, and neuroscience, transforming cutting-edge discoveries into sculptural gowns and ethereal fabrics.
Sculpting the Senses takes you on a journey from the ocean’s depths to the universe’s outer reaches. Step inside to explore the fluidity of water, the physics of motion, the perception of sound and light, and nature’s profound interconnectedness.
The Brooklyn Museum stop is the North American debut of this global presentation. Building on our legacy of defining fashion exhibitions, as well as our roots as an institute of both arts and sciences, it marks the first major New York presentation of Van Herpen’s work.
Artists, architects, and designers featured in the exhibition are Philip Beesley, Lanny Bergner, Rogan Brown, Katsumata Chieko, the Collectif Mé, Casey Curran, Wim Delvoye, Tara Donovan, Harold Edgerton, Senju Hiroshi, Kim Keever, Nick Knight, Ferruccio Laviani, Tomáš Libertíny, Ren Ri, Jacques Rougerie, Fujikasa Satoko, David Spriggs, Tim Walker, and Rob Wynne.
Iris van Herpen: Sculpting the Senses is organized by Musée des Arts Décoratifs, Paris. The Brooklyn Museum presentation is organized by Matthew Yokobosky, Senior Curator of Fashion and Material Culture, with Imani Williford, Curatorial Assistant, Photography, Fashion, and Material Culture.
Iris van Herpen: Sculpting the Senses is co-chaired by Sylvana and Adam Durrett, Jordan Roth, Lizzie and Jonathan Tisch, and Amanda and John Waldron.
This work is supported by the Simons Foundation and is part of its “Infinite Sums” initiative. For more information, visit infinitesums.simonsfoundation.org .
The Simons Foundation’s Science, Society & Culture division seeks to provide opportunities for people to forge a connection to science—whether for the first time or a lifetime. Through our initiatives, we work to inspire a feeling of awe and wonder, foster connections between people and science, and support environments that provide a sense of belonging. The Simons Foundation’s mission is to advance the frontiers of research in mathematics and the basic sciences. Since its founding in 1994 by Jim and Marilyn Simons, the foundation has been a champion of basic science through grant funding, support for research, and public engagement. We believe in asking big questions and providing sustained support to researchers working to unravel the mysteries of the universe.

Leadership support is provided by Deedee and Barrie Wigmore.
Major support is provided by Lauren Amos.
Significant support is provided by Nancy P. Magoon and John H. and Regina K. Scully.
Generous support is provided by Som Jirapatpisarn and Tae Aunyanuphap.
This program is supported by DutchCultureUSA, a program of the Kingdom of the Netherlands in the United States.

Additional support is provided by the Brooklyn Museum’s Exhibition Fund.


