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Guy Marineau (French, born 1947). Pat Cleveland on the dance floor during Halston's disco bash at Studio 54, 1977. (Photo: Guy Marineau / WWD / Shutterstock)


                          
                          Guy Marineau (French, born 1947). Pat Cleveland on the dance floor during Halston's disco bash at Studio 54, 1977. (Photo: Guy Marineau / WWD / Shutterstock)

Guy Marineau (French, born 1947). Pat Cleveland on the dance floor during Halston's disco bash at Studio 54, 1977. (Photo: Guy Marineau / WWD / Shutterstock)

<p>Rose Hartman (American, born 1937). <em>Woman in Red (Valerie LeGaspi), Studio 54</em>, 1977. Color photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman</p>

Rose Hartman (American, born 1937). Woman in Red (Valerie LeGaspi), Studio 54, 1977. Color photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman

<p>Rose Hartman (American, born 1937). <em>Bianca Jagger Celebrating her Birthday, Studio 54</em>, 1977. Black and white photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman</p>

Rose Hartman (American, born 1937). Bianca Jagger Celebrating her Birthday, Studio 54, 1977. Black and white photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman

<p>Dustin Pittman. <em>Red Balloons</em>, 1979. Photograph, 10 × 8 in. (25.4 × 20.3 cm). Courtesy of the artist. © Dustin Pittman</p>

Dustin Pittman. Red Balloons, 1979. Photograph, 10 × 8 in. (25.4 × 20.3 cm). Courtesy of the artist. © Dustin Pittman

<p>Rose Hartman (American, born 1937). <em>Bethann Hardison, Daniela Morera, and Stephen Burrows at Studio 54</em>, 1978. Black and white photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman</p>

Rose Hartman (American, born 1937). Bethann Hardison, Daniela Morera, and Stephen Burrows at Studio 54, 1978. Black and white photograph. Courtesy of the artist, www.rosehartman.com. © Rose Hartman

<p>Richard Bernstein (American, 1939–2002). <em>Steve Rubell</em>, 1979. Airbrush, gouache, pencil, and collage on board, 16 × 10 in. (40.6 × 25.4 cm). © The Estate of Richard Bernstein</p>

Richard Bernstein (American, 1939–2002). Steve Rubell, 1979. Airbrush, gouache, pencil, and collage on board, 16 × 10 in. (40.6 × 25.4 cm). © The Estate of Richard Bernstein

<p>Yves Saint Laurent (French, 1936–2008). <em>Chinese-inspired sketch dedicated to “Steve</em>,<em>”</em> 1978. © Fondation Pierre Bergé – Yves Saint Laurent, Paris</p>

Yves Saint Laurent (French, 1936–2008). Chinese-inspired sketch dedicated to “Steve, 1978. © Fondation Pierre Bergé – Yves Saint Laurent, Paris

<p>Dustin Pittman. <em>Stroke of Midnight at Studio</em>, 1978–79. Photograph, 15 × 20 in. (38.1 × 50.8 cm). Courtesy of the artist. © Dustin Pittman</p>

Dustin Pittman. Stroke of Midnight at Studio, 1978–79. Photograph, 15 × 20 in. (38.1 × 50.8 cm). Courtesy of the artist. © Dustin Pittman

Studio 54: Night Magic

March 13–November 8, 2020

Morris A. and Meyer Schapiro Wing and Iris and B. Gerald Cantor Gallery, 5th Floor

Studio 54: Night Magic traces the radiant history, social politics, and trailblazing aesthetics of the most iconic nightclub of all time. Behind the velvet rope, partygoers of all backgrounds and lifestyles could come together for nights of music, dazzling lights, and the popular song and dance “The Hustle.”

Following the Vietnam War, and amid the nationwide Civil Rights Movement and fights for LGBTQ+ and women’s rights, a nearly bankrupted New York City hungered for social and creative transformation as well as a sense of joyous celebration after years of protest and upheaval. Low rents attracted a diversity of artists, fashion designers, writers, and musicians, catalyzing the invention of new art forms, including musical genres such as punk, hip-hop, and disco. In a rare societal shift, people from different sexual, sociopolitical, and financial strata intermingled freely in the after-hours nightclubs of New York City. No place exemplified this more than Studio 54.

Organized chronologically, Studio 54: Night Magic uses photography, fashion, drawing, and film, as well as never-before-exhibited costume illustrations, set proposals, and designs, to place the nightclub within the wider history of New York, from Prohibition through the 1970s. Blueprints and architecture models illustrate the club’s innovative development and creation, while documentation of extravagant theme parties traces its thirty-three month run. The exhibition continues through the years after the nightclub’s closure, showing the ongoing influence of Studio 54 aesthetics.

Studio 54: Night Magic is curated and designed by Matthew Yokobosky, Senior Curator of Fashion and Material Culture, Brooklyn Museum.

Presented by

 

 

Major support provided by

 

 

Special thanks to Elliott Azrak and Morris Mishan.

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