Nayika Awaits Her Lover, page from a series illustrating the Rasikapriya of Keshavadasa

Brooklyn Museum photograph
Object Label
One of the interesting features of this painting is the canopy: it should probably be read as standing above their heads, but all four posts end behind the terrace. The arrangement defies logic, but ensures that the posts do not block our view of the main characters. Such spatial incongruities are relatively common in Indian painting, where illusion was less important than legibility and attractiveness.
Caption
Ibrahim. Nayika Awaits Her Lover, page from a series illustrating the Rasikapriya of Keshavadasa, 1692. Opaque watercolor on paper, sheet: 9 1/2 x 6 1/4 in. (24.1 x 15.9 cm) image: 7 7/8 x 5 1/2 in. (20.0 x 14.0 cm). Brooklyn Museum, Anonymous gift, 81.192.3. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Nayika Awaits Her Lover, page from a series illustrating the Rasikapriya of Keshavadasa
Date
1692
Geography
Place made: Rajasthan, India
Medium
Opaque watercolor on paper
Classification
Dimensions
sheet: 9 1/2 x 6 1/4 in. (24.1 x 15.9 cm) image: 7 7/8 x 5 1/2 in. (20.0 x 14.0 cm)
Inscriptions
Verso, In Braj, in black ink, in Devanagari script: The work of Ibrahim. Samvat l749 [A.D. l692]. (Trans. V. Desai) The library stamp of the Maharaja of Bikaner.
Credit Line
Anonymous gift
Accession Number
81.192.3
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