Climbing into the Promised Land, Ellis Island

Brooklyn Museum photograph
Object Label
Trained as a sociologist, Lewis Wickes Hine began a career in photography in 1905, when, as a teacher, he brought his class to Ellis Island. While encouraging his students to use cameras as part of their studies, Hines himself started to photograph and ultimately became a photojournalist. In this extraordinary image, immigrants in heavy coats and with their paperwork in hand climb a congested staircase in the process of becoming American citizens; Hine managed to juggle a huge, awkward camera while manipulating a crude device loaded with flash powder in order to compose this gripping picture of hope, confusion, and excitement. When he died, in 1940, Hine left behind a legacy of several thousand images of dazzling quality and social import, many of them portraits of workers, often children.
Caption
Lewis Wickes Hine American, 1874–1940. Climbing into the Promised Land, Ellis Island, 1908. Gelatin silver print, image: 13 x 10 1/2 in. (33 x 26.7 cm) sheet: 13 5/16 x 11 in. (33.8 x 27.9 cm). Brooklyn Museum, Gift of Walter and Naomi Rosenblum, 84.237.1. No known copyright restrictions (Photo: Brooklyn Museum, 84.237.1_SL1.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Climbing into the Promised Land, Ellis Island
Date
1908
Medium
Gelatin silver print
Classification
Dimensions
image: 13 x 10 1/2 in. (33 x 26.7 cm) sheet: 13 5/16 x 11 in. (33.8 x 27.9 cm)
Signatures
Signed in pencil on verso: "Hine"
Markings
Stamped in ink on verso with studio stamp: "Lewis Hine interpretive photography, Hastings-on-Hudson, New York"; "Photograph by Lewis Hine from the Walter and Naomi Rosenblum collection"
Credit Line
Gift of Walter and Naomi Rosenblum
Accession Number
84.237.1
Rights
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Have information?
Have information about an artwork? Contact us at