My Children

Abbott H. Thayer

Brooklyn Museum photograph

Object Label

Although Abbott Handerson Thayer\'s children (Gladys, Mary, and Gerald, left to right) modeled for this painting, it does not look like a standard portrait, and the children\'s actual identities may have little to do with Thayer\'s overall aims for the work. The painting was not intended to convey a particular religious content, but its composition and elaborate frame recall Italian Renaissance altarpieces showing the Virgin Mary with saints. Other elements such as the laurel wreath in Mary\'s hands, her classicized drapery, and the phantom wings formed by the contours of the foliage against the sky align her with the ancient Greek goddess Athena-Nike (a winged figure representing victory). In the end, this image, so filled with allusions to the art of the past, presents Thayer\'s vision of the human spirit at its noblest: the expression of love, strength, and beauty embodied in the ideal and eternal feminine.

Caption

Abbott H. Thayer (American, 1849–1921). My Children, ca. 1896–1910. Oil on canvas, 48 1/16 x 60 3/8 in. (122.1 x 153.3 cm) frame: 67 1/8 x 79 x 6 in. (170.5 x 200.7 x 15.2 cm). Brooklyn Museum, Dick S. Ramsay Fund, 68.158.2. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

American Art

Title

My Children

Date

ca. 1896–1910

Medium

Oil on canvas

Classification

Painting

Dimensions

48 1/16 x 60 3/8 in. (122.1 x 153.3 cm) frame: 67 1/8 x 79 x 6 in. (170.5 x 200.7 x 15.2 cm)

Inscriptions

Inscribed upper right: "Painted By Me / Abbott H. Thayer / about 1900 / Finished Dec. 1, 1910 / or rather touched again"

Credit Line

Dick S. Ramsay Fund

Accession Number

68.158.2

Frequent Art Questions

  • This picture is in an odd shaped frame. Where was it originally? It looks like it was a headboard for a bed, is that right?

    Abbott H. Thayer designed that frame for the painting, so it's the original. It's made in a revival style imitating the arts of the Italian Renaissance, a period that Thayer admired. Thayer based this work on a section of a larger painting that you can now see at the Smithsonian American Art Museum in Washington D.C.
    Thayer always considered this a painting in its own right, although its unfinished look and the unusual shape of the frame do make people ask us that question from time to time!

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