Saint Lawrence Liberates Souls from Purgatory

Lorenzo di Niccolò

Brooklyn Museum photograph

Caption

Lorenzo di Niccolò (Italian, Florentine, documented 1393–1412). Saint Lawrence Liberates Souls from Purgatory, ca. 1412. Tempera and tooled gold on poplar panel, 13 5/16 × 26 5/8 in. (33.8 × 67.6 cm) frame: 16 × 26 3/4 × 1 3/4 in. (40.6 × 67.9 × 4.4 cm). Brooklyn Museum, Gift of A. Augustus Healy, 03.75. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

European Art

Title

Saint Lawrence Liberates Souls from Purgatory

Date

ca. 1412

Geography

Place made: Italy

Medium

Tempera and tooled gold on poplar panel

Classification

Painting

Dimensions

13 5/16 × 26 5/8 in. (33.8 × 67.6 cm) frame: 16 × 26 3/4 × 1 3/4 in. (40.6 × 67.9 × 4.4 cm)

Credit Line

Gift of A. Augustus Healy

Accession Number

03.75

Frequent Art Questions

  • What is being given to the woman?

    I don't know the answer exactly, but the tortures of the damned in scenes of Hell and the Last Judgment are appropriate to the nature of their sins--the gluttonous wallow in a mire and the lecherous burn eternally in a sulfurous pit. The ball could be a reference to a sin. Whatever it symbolizes, this visual was likely obvious to the artist's contemporaries.
    All of the other figures are being tortured in some capacity, so whatever the ball is, it can't be a pleasant sign!

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