[Untitled] (Crowd/The Fire Next Time)

Glenn Ligon

Brooklyn Museum photograph

Object Label

In this piece, spelled out in sparkling coal crystals are the words “something in me wondered ‘What will happen to all that beauty?’” This quotation, from a 1962 essay by James Baldwin (reprinted the following year in the volume The Fire Next Time), is set over a blurred black-and-white image of the Million Man March, a gathering of black social activists in Washington, D.C., in 1995. The accumulation of crystals suggests the mass of participants in this historic event as viewed from above, while the juxtaposition of Baldwin’s words with the image of the march—separated by more than three decades—reminds us of the still-ongoing dialogue about race in America.

Caption

Glenn Ligon American, born 1960. [Untitled] (Crowd/The Fire Next Time), 2000. Screenprint with coal crystals on paper, image: 12 × 18 1/8 in. (30.5 × 46 cm) sheet: 19 5/8 × 27 11/16 in. (49.8 × 70.3 cm) frame: 27 1/8 × 35 1/8 × 2 1/4 in. (68.9 × 89.2 × 5.7 cm). Brooklyn Museum, Alfred T. White Fund, 2000.56. © artist or artist's estate (Photo: Brooklyn Museum, 2000.56_transp5856.jpg)

Gallery

Not on view

Title

[Untitled] (Crowd/The Fire Next Time)

Date

2000

Medium

Screenprint with coal crystals on paper

Classification

Print

Dimensions

image: 12 × 18 1/8 in. (30.5 × 46 cm) sheet: 19 5/8 × 27 11/16 in. (49.8 × 70.3 cm) frame: 27 1/8 × 35 1/8 × 2 1/4 in. (68.9 × 89.2 × 5.7 cm)

Signatures

Signed lower right in graphite: "Glenn Ligon"

Credit Line

Alfred T. White Fund

Accession Number

2000.56

Rights

© artist or artist's estate

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Frequent Art Questions

  • I would like to know more about this artwork.

    This work by Glenn Ligon features black coal crystals spelling out the phrase "What will happen to all that beauty?" in front of a photo from the Million Man March in DC in 1995. The innumerable individual coal crystals used in this work signify the massive crowd of people who attended the march. The words come from a James Baldwin essay written in 1962 and printed in 1963 in the volume "The Fire Next Time."

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