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Object Label

Samuel Yellin was one of the most important American metalworkers of the early twentieth century. He executed metalwork for the National Cathedral in Washington, D. C., and the New York Athletic Club and Temple Emanuel in New York. Unlike the other metal pieces exhibited here, this one was never installed in a building. Rather, it was a maquette (or study) and may have been the presentation piece shown to the architects of the Federal Reserve Bank in lower Manhattan (see illustration below) to help Yellin secure the commission. The final designs of the actual metalwork in the bank, which Yellin, in the Arts and Crafts tradition, executed by hand, are closely related. Yellin was not an architect as were the designers of the other metal pieces here; rather, the Renaissance Revival style of this grille was dictated by the bold Italian Renaissance style of the bank.

Caption

Samuel Yellin (American, born Mogilev (or Mogolov), Russia, 1884–1940). Grille, ca. 1922. Iron, 43 1/4 x 22 13/16 x 1 9/16 in. Brooklyn Museum, Gift of American Decorative Art 1900 Foundation in honor of Barry R. Harwood , 2008.86. (Photo: Irving Underhill, courtesy of the Federal Reserve Bank of New York)

Gallery

Not on view

Title

Grille

Date

ca. 1922

Medium

Iron

Classification

Architectural Element

Dimensions

43 1/4 x 22 13/16 x 1 9/16 in.

Markings

The proper right lower front corner is impressed: “SAMUEL YELLIN”.

Credit Line

Gift of American Decorative Art 1900 Foundation in honor of Barry R. Harwood

Accession Number

2008.86

Frequent Art Questions

  • Tell me more.

    This grille, made itself for demonstration purposes, shows the natural and floral influences characteristic of the Art Nouveau movement here made more geometric in the 1920s.
    Notice how Samuel Yellin, the designer, managed to make a metal grille appear light and airy by his use of negative space. Walking around New York City you may notice many buildings from the early part of the 20th century with similar design elements.

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