Side Chair
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Object Label
Ray Komai's molded plywood chair was manufactured in Brooklyn in 1949, using the latest American technology. Although European designers such as Marcel Breuer and Alvar Aalto designed plywood furniture in the 1930s, it was the Americans Charles and Ray Eames, in the years immediately after World War II, who realized the full potential of this material and bent one sheet of plywood in several directions. Komai's chair adds a sophisticated anthropomorphic twist. If you look closely, the chair's design suggests a human face.
Caption
Ray Komai American, 1918–2010. Side Chair, ca. 1949. Molded walnut plywood, chromed metal, rubber, 30 1/2 x 22 x 22 1/4 in. (77.5 x 55.9 x 56.5 cm). Brooklyn Museum, Alfred T. and Caroline S. Zoebisch Fund, 1994.156.1. Creative Commons-BY (Photo: Brooklyn Museum, 1994.156.1_bw.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Designer
Manufacturer
Title
Side Chair
Date
ca. 1949
Geography
Place manufactured: Brooklyn, New York, United States
Medium
Molded walnut plywood, chromed metal, rubber
Classification
Dimensions
30 1/2 x 22 x 22 1/4 in. (77.5 x 55.9 x 56.5 cm)
Credit Line
Alfred T. and Caroline S. Zoebisch Fund
Accession Number
1994.156.1
Rights
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Frequent Art Questions
This chair is chic!
It has simple forms but a lot of personality! The label copy may even mention this but if you look straight at it, there's a "face" from the two screws and the opening below them. It was made in Brooklyn and it's placed near Georgia O'Keeffe's painting of the Brooklyn Bridge, which also has strong, simple shapes. Although European designers such as Marcel Breuer and Alvar Aalto designed plywood furniture in the 1930s, it was the Americans Charles and Ray Eames, in the years immediately after World War II, who realized the full potential of this material and bent one sheet of plywood in several directions.Was Komai Japanese-American? Is this a face he is depicting?
Yes, Komai was Japanese American. In fact, in the 40s, he spent time in a Japanese internment camp. And, yes, the anthropomorphic chair is indeed designed to suggest a human face!This is interesting.
Did you notice that the hardware and opening in the back of that chair form a human-like face? It has simple forms but a lot of "personality." And it's placed near Georgia O'Keeffe's painting of the Brooklyn Bridge, which also has strong, simple forms. The two works were created around the same time.Oh, I see that now! Thank you.
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