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Object Label

ART OF WRITING
Both of these works, separated by many centuries, use the human body as a platform for expressing and displaying script.

Shabtis are funerary figures intended to do the agricultural work the gods might require of the deceased, represented here holding hoes. The hieroglyphic inscription on this figure is a spell from the Book of the Dead, asking the shabti to do the Nubian king Senkamanisken’s work for him in the afterlife.

Owusu-Ankomah's paintings depict a spiritual world occupied by people and symbols. The male figure in this work is covered by, and moves within, Akan adinkra symbols from the artist's native Ghana, each of which graphically represents a particular concept or proverb. Looking Back Into the Future depicts a nude man with his head turned backward, in a pose associated with the Akan proverbial concept of sankofa ("one must know the past to know the future").

You can see a contemporary version of adinkra cloth among the "touch" textiles around the corner.

Caption

Nubian. Shabti of Senkamanisken, 643–623 B.C.E.. Steatite, 8 9/16 x 2 11/16 x depth at base 1 15/16 in. (21.7 x 6.9 x 5 cm) . Brooklyn Museum, By exchange, 39.5. Creative Commons-BY (Photo: Brooklyn Museum, 39.5_edited_SL3.jpg)

Culture

Nubian

Title

Shabti of Senkamanisken

Date

643–623 B.C.E.

Dynasty

Dynasty 26

Period

Napatan Period

Geography

Place excavated: Nuri, Sudan (ancient Nubia)

Medium

Steatite

Classification

Funerary Object

Dimensions

8 9/16 x 2 11/16 x depth at base 1 15/16 in. (21.7 x 6.9 x 5 cm)

Credit Line

By exchange

Accession Number

39.5

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

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