Monkey
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Object Label
Over the course of his career, Gilbert Stuart painted approximately a hundred portraits of George Washington, including four versions (three of which are original replicas) now known as the “Lansdowne” portrait (named after the painting’s first owner). Although the grandiose scale and setting are typical of eighteenth-century European aristocratic portraiture, other allegorical elements allude to the formation of the young republic. Representing Washington in civilian clothing and with his arm outstretched in an oratorical pose, Stuart also included details such as the Great Seal of the United States; a sword and books, such as Constitution and Laws of the United States, that are symbolic of the first president’s military and political accomplishments; as well as a rainbow that refers to the era of peace following the Revolutionary War.
This portrait was owned by the New York merchant William Kerin Constable, who, like Washington, benefited from the institution of slavery while also expressing abolitionist sentiments. Once on view in the family home in nearby Brooklyn Heights, the portrait passed down through Constable’s descendants before it came into the Brooklyn Museum’s collection in 1945.
Caption
Monkey, ca. 1336–1327 B.C.E.. Ivory, 4 3/16 x 1 x 1 3/4 in. (10.7 x 2.5 x 4.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 55.176. (Photo: Brooklyn Museum)
Title
Monkey
Date
ca. 1336–1327 B.C.E.
Dynasty
late Dynasty 18
Period
New Kingdom
Geography
Possible place collected: Thebes, Egypt
Medium
Ivory
Classification
Dimensions
4 3/16 x 1 x 1 3/4 in. (10.7 x 2.5 x 4.4 cm)
Credit Line
Charles Edwin Wilbour Fund
Accession Number
55.176
Frequent Art Questions
Can you tell me a little bit about this?
This image of a hybrid monkey was likely used to entertain a very young child. Essentially it is a toy, as you might be able to tell from the moveable arms.
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