Whistle in the Form of a Bird

800–1350

1 of 3

Object Label

Birds are among the most often portrayed animals in the pre-Columbian art of Central America. Their song and ability to fly were greatly admired traits, and whistles like the charming examples seen here would have reproduced a bird’s melodic call almost perfectly. The polychrome whistle on the right has a painted lattice design, and the one on the left is adorned with incised lines, triangles, and circles filled with white pigment. Both types of decoration suggest bird feathers.


Los pájaros están entre los animales más representados en el arte precolombino de América Central. Sus canciones y habilidad para volar eran cualidades enormemente admiradas, y silbatos como los encantadores ejemplos que se aprecian aquí pueden haber reproducido el sonido melodioso de los pájaros casi a la perfección. El silbato policromo a la derecha tiene un diseño de encaje pintado, y el de la izquierda está adornado con líneas incisas, triángulos, y círculos rellenos con pigmento blanco. Ambos tipos de decoración sugieren plumas de pájaros.

Caption

Whistle in the Form of a Bird, 800–1350. Ceramic, pigment, 3 1/8 x 3 x 4 in. (8 x 7.6 x 10.2 cm). Brooklyn Museum, Alfred W. Jenkins Fund, 34.1706. Creative Commons-BY (Photo: Brooklyn Museum, CUR.34.1706_view1.jpg)

Gallery

Not on view

Title

Whistle in the Form of a Bird

Date

800–1350

Medium

Ceramic, pigment

Classification

Musical Instrument

Dimensions

3 1/8 x 3 x 4 in. (8 x 7.6 x 10.2 cm)

Credit Line

Alfred W. Jenkins Fund

Accession Number

34.1706

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • To create the sounds that each instrument makes, were the actual instruments on display used or were replicas made?

    The sounds were sourced from soundtracks of similar types of instruments being played such as Dale Olsen’s Music of El Dorado and Peyote songs from the Smithsonian’s Folkways Records.
  • Why would they have stopped making this in 1500?

    1500 was around the time that European first made contact with indigenous populations in the region which is generally regarded as the end of this "pre-Columbian" culture.

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