Face from the Lid of a Sarcophagus

ca. 1336–1250 B.C.E.

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Object Label

This early canvas by Julian Alden Weir is a visual homage to the Barbizon School, a group of nineteenth-century French painters who worked in a village of the same name near the Forest of Fontainebleau, on the outskirts of Paris. This style of painting, characterized by a sunlit palette of greens and browns, brushy application of paint, and pastoral depiction of nature, was absorbed by the artist while training abroad between 1873 and 1877. Weir would later embrace Impressionism, along with his fellow artist Childe Hassam, whose work is represented nearby.

Caption

Face from the Lid of a Sarcophagus, ca. 1336–1250 B.C.E.. Sandstone, 18 × 17 × 5 in. (45.7 × 43.2 × 12.7 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 85.166. Creative Commons-BY

Title

Face from the Lid of a Sarcophagus

Date

ca. 1336–1250 B.C.E.

Dynasty

late Dynasty 18 to early Dynasty 19

Period

New Kingdom to Ramesside Period

Geography

Place made: Egypt

Medium

Sandstone

Classification

Sculpture

Dimensions

18 × 17 × 5 in. (45.7 × 43.2 × 12.7 cm)

Credit Line

Charles Edwin Wilbour Fund

Accession Number

85.166

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Tell me more.

    One detail I especially like from this sarcophagus fragment is the way that the figure's ears are being pushed forward because the hair is so heavy!
  • Tell me more.

    Can you see the markings on the hair? Those represent a floral head band.
    Floral imagery was important in ancient Egyptian funerary equipment because it had connotations of rebirth since flowers die and come back each year.
    Thanks for info!

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