Jar Lid with Human Face

ca. 1876–1837 B.C.E.

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Object Label

The absence of any trace of shoulders indicates that this limestone head was never part of a complete sculpture. It probably served as the lid of a canopic jar, a vessel containing a corpse’s vital organs that were removed during mummification. The artist who carved this face followed the dominant style of mid-Twelfth Dynasty, including full, fleshy cheeks, wide open eyes with a high, arcing upper lid, and an overall sense of serenity.

Caption

Jar Lid with Human Face, ca. 1876–1837 B.C.E.. Limestone, 4 × 4 7/16 × 4 1/16 in. (10.2 × 11.2 × 10.3 cm). Brooklyn Museum, Purchased with funds given by Christos G. Bastis and Charles Edwin Wilbour Fund, 87.78. (Photo: Brooklyn Museum)

Title

Jar Lid with Human Face

Date

ca. 1876–1837 B.C.E.

Dynasty

middle Dynasty 12

Period

Middle Kingdom

Geography

Place made: Egypt

Medium

Limestone

Classification

Sculpture

Dimensions

4 × 4 7/16 × 4 1/16 in. (10.2 × 11.2 × 10.3 cm)

Credit Line

Purchased with funds given by Christos G. Bastis and Charles Edwin Wilbour Fund

Accession Number

87.78

Frequent Art Questions

  • Did ancient Egyptians where head coverings = all the time? Are these people wearing head coverings? What are they made out of?

    The quick answer is no. You'll see in our galleries a few sculptures that depict men with bald heads too. In the first sculpture you photographed, she is wearing a vulture headdress, which is a symbol of maternal protection and associated with goddesses and queens, over her hair.
    The second sculpture simply wears a thick hairstyle. This may have been a wig made from hair (the finest examples, of course, were human), or his own hair with the addition of extensions.
    Headdresses, in ancient Egyptian art can be a helpful indicator of rank or identity. Hairstyles can even help us date artworks based on when certain styles were in fashion.
    Interesting -- thank you!

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