Double-sided Key Block for Ukiyo-e Print

Utagawa Kunisada (Toyokuni III) (side a); Eisen Keisai (side b)

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Object Label

This carving served as the key block, the first one made by the carver, based on Kunisada’s original drawing. It provides the basic outlines of the design. The key block was used to make a number of simple black impressions that served as guides for the carving of all subsequent blocks. The print made by this carving was the mirror image of what we see here, so all of the text on the block is in reverse. This block is actually signed by its carver, Asai Ginjirō (1844–1894). There was no general policy with regard to carvers signing their work, but such signatures are definitely in the minority.

Caption

Utagawa Kunisada (Toyokuni III) (side a) Japanese, 1786–1865; Eisen Keisai (side b) Japanese, 1790–1848. Double-sided Key Block for Ukiyo-e Print, ca. 1830. Cherry wood, 15 1/2 x 10 1/8 x 3/8 in. (39.4 x 25.7 x 1 cm). Brooklyn Museum, Gift of Dr. Alvin E. Friedman-Kien, 2002.119.15a-b. Creative Commons-BY (Photo: Brooklyn Museum, 2002.119.15a_PS20.jpg)

Gallery

Not on view

Collection

Asian Art

Title

Double-sided Key Block for Ukiyo-e Print

Date

ca. 1830

Period

Edo Period

Geography

Place made: Japan

Medium

Cherry wood

Classification

Tool

Dimensions

15 1/2 x 10 1/8 x 3/8 in. (39.4 x 25.7 x 1 cm)

Credit Line

Gift of Dr. Alvin E. Friedman-Kien

Accession Number

2002.119.15a-b

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

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