The Raising of the Cross (L'élévation de la Croix)

James Tissot

Brooklyn Museum photograph

Object Label

Bronze ding vessels were cooking pots reserved for offerings of food to ancestors during the Shang through the Han (206 B.C.E.–220 C.E.) dynasties. Using bronze signified that a vessel was a ritual object of great importance, as the ruler controlled access to both the copper and tin that were mined to make the bronze alloy, as well as the workshops that cast the vessels. On this vessel, black inlay is used to highlight the animal mask (taotie) on the sides, particularly the deep pupils of the eyes, against a dense ground of tight spirals known as leiwen (“thunder”). The clan sign of the family authorized by the ruler to cast the vessel is found on the vessel’s interior wall.

Caption

James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). The Raising of the Cross (L'élévation de la Croix), 1886–1894. Opaque watercolor over graphite on gray wove paper, Image: 9 15/16 x 14 9/16 in. (25.2 x 37 cm) Sheet: 9 15/16 x 14 9/16 in. (25.2 x 37 cm) Frame: 16 7/8 x 22 7/8 x 1 1/2 in. (42.9 x 58.1 x 3.8 cm). Brooklyn Museum, Purchased by public subscription, 00.159.294. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

European Art

Title

The Raising of the Cross (L'élévation de la Croix)

Date

1886–1894

Geography

Place made: France

Medium

Opaque watercolor over graphite on gray wove paper

Classification

Watercolor

Dimensions

Image: 9 15/16 x 14 9/16 in. (25.2 x 37 cm) Sheet: 9 15/16 x 14 9/16 in. (25.2 x 37 cm) Frame: 16 7/8 x 22 7/8 x 1 1/2 in. (42.9 x 58.1 x 3.8 cm)

Signatures

Signed bottom right: "J.J. Tissot"

Credit Line

Purchased by public subscription

Accession Number

00.159.294

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