Forest at Fontainebleau

Antoine-Louis Barye

Brooklyn Museum photograph

Object Label

Known primarily as a sculptor of predatory encounters between animal species, Barye also painted the varied landscape of the Fontainebleau Forest in a number of oil studies. Here he depicts the gorge of either Apremont or Franchard, both of which are characterized by rugged rock formations. Barye’s deliberately coarse handling of his medium provides a tactility of surface evocative of the landscape itself. He kept such works in a cupboard, showing them only to close friends and colleagues.

Caption

Antoine-Louis Barye (French, 1795–1875). Forest at Fontainebleau, n.d.. Oil on canvas, 6 3/8 × 12 1/2 in. (16.2 × 31.8 cm) frame: 16 × 22 × 3 in. (40.6 × 55.9 × 7.6 cm). Brooklyn Museum, Purchased by Special Subscription, 10.92. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

European Art

Title

Forest at Fontainebleau

Date

n.d.

Geography

Place made: France

Medium

Oil on canvas

Classification

Painting

Dimensions

6 3/8 × 12 1/2 in. (16.2 × 31.8 cm) frame: 16 × 22 × 3 in. (40.6 × 55.9 × 7.6 cm)

Signatures

Lower left: "BARYE"

Markings

Center of stretcher frame: Red wax seal "VENTE BARYE"

Credit Line

Purchased by Special Subscription

Accession Number

10.92

Rights

No known copyright restrictions

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Frequent Art Questions

  • The painters of the Barbizon School were really interested in landscape painting; they wanted to depict nature directly, outside of the classical conventions. That's why you'll see so many landscapes in a similar style on that wall.

    I do love Fontainebleau.
    Many of the Barbizon school painters worked in the Forest of Fontainebleau, just outside of Paris, as nature, rather than urban life, provided inspiration for their works. They got their name from the nearby village of Barbizon.

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