Louisiana Rice Fields

Thomas Hart Benton

Brooklyn Museum photograph

Object Label

Thomas Hart Benton focused on the broad appeal of the commonplace, as seen in this painting of laboring rice harvesters. He described American “types” rather than specific individuals and places, and rendered them in a directly expressive, almost caricatured manner. Benton, and his peers in the American Scene movement of painting that arose in the late 1920s, deliberately abandoned European-derived subjects and urban settings in favor of imagery drawn from the rural United States.

Caption

Thomas Hart Benton (American, 1889–1975). Louisiana Rice Fields, 1928. Egg tempera and oil on Masonite, 30 1/8 × 47 7/8 in. (76.5 × 121.6 cm) frame: 38 1/8 x 55 7/8 x 3 1/2 in. (96.8 x 141.9 x 8.9 cm). Brooklyn Museum, John B. Woodward Memorial Fund, 38.79. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

American Art

Title

Louisiana Rice Fields

Date

1928

Medium

Egg tempera and oil on Masonite

Classification

Painting

Dimensions

30 1/8 × 47 7/8 in. (76.5 × 121.6 cm) frame: 38 1/8 x 55 7/8 x 3 1/2 in. (96.8 x 141.9 x 8.9 cm)

Signatures

Signed lower right: "Benton"

Credit Line

John B. Woodward Memorial Fund

Accession Number

38.79

Frequent Art Questions

  • Can you tell me about this?

    Thomas Benton is known for his depictions of the American working class and rural landscapes. He traveled around the American South in the 1920s to gather ideas for his art and made many sketches along the way. Here we see workers harvesting a rice crop, putting it through machinery to be sorted and then bagged.
  • I like the realism in this painting and they way that is shows hardworking Americans. It makes me think of an industrial society evolving from rural America.

    Thomas Benton, who painted this work, was definitely interested in showing parts of rural American during a time when the country was rapidly industrializing!
    I heard he has a really cool type of wraparound maybe mural? In the Met?
    He does indeed have a ten panel mural called "America Today," which would have been able to cover and entire room!
    The mural shows scenes from different regions of the United States, based on benton's own travels throughout the country.

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