Two Women on a Rug

Oqwa Pi aka Abel Sanchez; Po-who-ge-oweenge (San Ildefonso Pueblo)

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Object Label

Pottery Decoration

After a pottery vessel had dried to a leathery consistency, it was ready to be decorated and fired.

The simplest technique was to apply a layer of clay, paint, and water—called slip—on the pot’s drab exterior. Other methods included incising designs with pointed objects, polishing the surface with a cloth, or using a stone to burnish it, creating an attractive sheen.

Painted decorations appear on pottery throughout the Eighteenth Dynasty. Early designs included thin lines and long pendant triangles. Around the time of Thutmose III, artists invented a pastel blue paint that eventually dominated pottery decoration. A rare type of pot made exclusively for tombs was painted to reproduce the appearance of stones such as breccia.

After decorating the vessel, the potter placed it in a kiln for firing. Potters wrapped cords around large unfired vessels to prevent them from collapsing. These ropes burned away during firing, but traces of them remain on the sides of some pots.

Caption

Oqwa Pi aka Abel Sanchez San Ildefonso Pueblo, 1889–1971; Po-who-ge-oweenge (San Ildefonso Pueblo). Two Women on a Rug, 1930–1940. Watercolor over graphite on wove paper, 9 13/16 x 14 1/4 in. (24.9 x 36.2 cm). Brooklyn Museum, Dick S. Ramsay Fund, 40.88. Creative Commons-BY (Photo: Brooklyn Museum Photograph, 40.88_PS11.jpg)

Gallery

Not on view

Title

Two Women on a Rug

Date

1930–1940

Medium

Watercolor over graphite on wove paper

Classification

Watercolor

Dimensions

9 13/16 x 14 1/4 in. (24.9 x 36.2 cm)

Signatures

Signed lower left recto in graphite "Oqwa Pi." At top edge in graphite is "20" and bottom right corner "53". At upper verso left in graphite is: "- 26" and "22." At the upper left edge in black ink verso is "40.88)

Credit Line

Dick S. Ramsay Fund

Accession Number

40.88

Rights

Creative Commons-BY

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