Willows and White Poplars (Saules et peupliers blancs)

Brooklyn Museum photograph
Object Label
Sketching outside, artists made informal studies in oils or charcoal of terrain, foliage, and sky—glimpses of often unremarkable topography through which they conveyed their sensory experiences of light and atmosphere. They often used these quickly rendered landscapes as inspiration for formal compositions made in their studios. Such nineteenth-century pleinairists were an important influence on subsequent generations of artists, including Joaquín Sorolla y Bastida, who carried small panels to work outside to capture his motifs in bold, saturated colors.
Caption
Jean-Baptiste-Camille Corot (Paris, France, 1796–1875, Paris, France). Willows and White Poplars (Saules et peupliers blancs), 1865–1872. Charcoal on wove paper, sheet: 9 15/16 × 15 in. (25.2 × 38.1 cm) frame: 18 × 24 × 1 1/2 in. (45.7 × 61 × 3.8 cm). Brooklyn Museum, Henry L. Batterman Fund, 42.227. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Title
Willows and White Poplars (Saules et peupliers blancs)
Date
1865–1872
Geography
Place made: France
Medium
Charcoal on wove paper
Classification
Dimensions
sheet: 9 15/16 × 15 in. (25.2 × 38.1 cm) frame: 18 × 24 × 1 1/2 in. (45.7 × 61 × 3.8 cm)
Signatures
Signed, lower left: "COROT" in crayon
Credit Line
Henry L. Batterman Fund
Accession Number
42.227
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