Willows and White Poplars (Saules et peupliers blancs)

Jean-Baptiste-Camille Corot

Brooklyn Museum photograph

Object Label

Sketching outside, artists made informal studies in oils or charcoal of terrain, foliage, and sky—glimpses of often unremarkable topography through which they conveyed their sensory experiences of light and atmosphere. They often used these quickly rendered landscapes as inspiration for formal compositions made in their studios. Such nineteenth-century pleinairists were an important influence on subsequent generations of artists, including Joaquín Sorolla y Bastida, who carried small panels to work outside to capture his motifs in bold, saturated colors.

Caption

Jean-Baptiste-Camille Corot (Paris, France, 1796–1875, Paris, France). Willows and White Poplars (Saules et peupliers blancs), 1865–1872. Charcoal on wove paper, sheet: 9 15/16 × 15 in. (25.2 × 38.1 cm) frame: 18 × 24 × 1 1/2 in. (45.7 × 61 × 3.8 cm). Brooklyn Museum, Henry L. Batterman Fund, 42.227. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

European Art

Title

Willows and White Poplars (Saules et peupliers blancs)

Date

1865–1872

Geography

Place made: France

Medium

Charcoal on wove paper

Classification

Drawing

Dimensions

sheet: 9 15/16 × 15 in. (25.2 × 38.1 cm) frame: 18 × 24 × 1 1/2 in. (45.7 × 61 × 3.8 cm)

Signatures

Signed, lower left: "COROT" in crayon

Credit Line

Henry L. Batterman Fund

Accession Number

42.227

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