The Money Diggers

John Quidor

Brooklyn Museum photograph

Object Label

Early ethnic stereotypes animate this painting based on one of the American author Washington Irving’s raucous stories of life in colonial New York. In this scene from “The Adventure of the Black Fisherman,” three money-mad characters hunt for treasure supposed to have been buried in a Dutch New York cemetery at the time of the British takeover. In painting the miserly Dutchman, the sinister German sorcerer, and the superstitious black fisherman who led the group to the spot, John Quidor followed Irving’s descriptions exactly, down to the green lenses in Dr. Knipperhausen’s glasses.

Caption

John Quidor American, 1801–1881. The Money Diggers, 1832. Oil on canvas, 15 15/16 x 20 15/16 in. (40.5 x 53.2 cm) frame: 23 x 28 1/8 x 3 1/4 in. (58.4 x 71.4 x 8.3 cm). Brooklyn Museum, Gift of Mr. and Mrs. Alastair Bradley Martin, 48.171. No known copyright restrictions (Photo: Brooklyn Museum, 48.171_SL1.jpg)

Gallery

Not on view

Collection

American Art

Title

The Money Diggers

Date

1832

Medium

Oil on canvas

Classification

Painting

Dimensions

15 15/16 x 20 15/16 in. (40.5 x 53.2 cm) frame: 23 x 28 1/8 x 3 1/4 in. (58.4 x 71.4 x 8.3 cm)

Signatures

Signed right center: "J. Quidor Pinxt / N. York June, 1832."

Credit Line

Gift of Mr. and Mrs. Alastair Bradley Martin

Accession Number

48.171

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Why does everyone look so terrified? And who is the figure in the top right corner?

    The story is that Wolfert Webber, a Dutchman of old Manhattan who recently lost all his money, becomes obsessed with the legends of buried treasure in the area. He, along with Doctor Knipperhausen (the guy in the cape and green glasses) and Sam (an African American fisherman) attempt to dig up some of the treasure supposedly buried by pirates years before.
    Their midnight adventure climaxes when a supposedly deceased pirate appears leering at them from the cliff above. (This is the figure in upper right that you asked about.) The diggers are frightened out of their wits, as Quidor comically shows us!
    Oh, interesting! Thanks for the information!
  • Was this painting always that dark? Or is it dark because of age?

    Great question. John Quidor's work really evokes a sense of fear in the night. Likely, Quidor was inspired by Goya, who worked from a black canvas and gradually added light as opposed to the more common approach of working from light to dark. Although over time pigments do change, it's likely it was dark in general to begin with. What are some other things that catch your eye in this work?
    The branches on the trees are really creepy, the way they extend like fingers toward the people in the scene. Also, that book is just barely safe from falling into the pit! It could be lost so easily.
    You're right, there certainly is a lot of tension in the scene! This scene was taken from "The Adventure of the Black Fisherman," written by American author Washington Irving. Would you like a summary? It might change the way you see the painting.
    Sure!
    The story is that Wolfert Webber, a Dutchman of old Manhattan who recently lost all his money, becomes obsessed with the legends of buried treasure in the area. He, along with Dr. Knipperhausen (the guy in the cape and green glasses) and Sam (an African American fisherman) attempt to dig up some of the treasure supposedly buried by pirates years before.
    Their midnight adventure reaches its peak when a supposedly deceased pirate appears leering at them from the cliff above. (This is the scene depicted by Quidor here.) The diggers are frightened out of their wits, as Quidor comically shows us!

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