Table

Emile-Jacques Ruhlmann; Emile-Jacques Ruhlmann

Brooklyn Museum photograph

Caption

Emile-Jacques Ruhlmann (French, 1879–1933); Emile-Jacques Ruhlmann (French, 1879–1933). Table, ca. 1923. Kingwood veneer on mahogany and oak with ivory inlay, 22 1/8 × 15 3/8 × 30 3/4 in. (56.2 × 39.1 × 78.1 cm) mount: 25 × 31 × 15 in. (63.5 × 78.7 × 38.1 cm). Brooklyn Museum, Purchased with funds given by Joseph F. McCrindle, Mrs. Richard M. Palmer, Charles C. Paterson, Raymond Worgelt, and an anonymous donor, 71.150.3. (Photo: Brooklyn Museum)

Gallery

Not on view

Title

Table

Date

ca. 1923

Geography

Place made: France

Medium

Kingwood veneer on mahogany and oak with ivory inlay

Classification

Furniture

Dimensions

22 1/8 × 15 3/8 × 30 3/4 in. (56.2 × 39.1 × 78.1 cm) mount: 25 × 31 × 15 in. (63.5 × 78.7 × 38.1 cm)

Signatures

Unsigned

Inscriptions

no inscriptions

Markings

no marks

Credit Line

Purchased with funds given by Joseph F. McCrindle, Mrs. Richard M. Palmer, Charles C. Paterson, Raymond Worgelt, and an anonymous donor

Accession Number

71.150.3

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Tell me more.

    This table was designed by Emile-Jacques Ruhlmann, a French furniture designer from the early 20th century. You can see in the organic forms and intricate inlays in his furniture an interest in handmade and carefully crafted objects, a reaction against the rapid industrialization of the time. French designers like Ruhlmann looked back to older traditions for inspiration and put themselves forward as the height of European taste.

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