From the enclosed release we think you will find some information that may be interesting to you as the Brainard Collection of Photographs, which is now available for public use at the Brooklyn Museum, includes scenes of your community. They may be interesting to you for publication purposes from time to time. If you would like to have a list of the subjects, we should be glad to send them to you if you will please write us to that effect.
Sincerely yours,
Arthur H. Torrey
Publicity
AHT:J
Encl:
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 206. View Original
September 22, 1939
George Bradford Brainard 4th child of Diodate Brainerd and Rebecca Bradford, Haddam Neck, Conn.
George Bradford Brainerd graduated at the Polytecnic Institute of Troy, New York in 1865, as Civil Engineer. He held the position of Deputy Purveyor in the Brooklyn Water Works for 17 years. In early life he developed a taste for the study of the Natural Sciences and also for Photography and the Languages.
An extract from a memorial read before the Brooklyn Academy of Photography will give a more accurate account of his pursuits, “In 1873 Mr. Brainerd was Deputy Water Purveyor of the City of Brooklyn, and published a work entitled Water Works of Brooklyn, in which he showed a thorough acquaintance with the Geological, Chemical, and the general sanitary features of the subject. His work as Water Purveyor obliged him to spend much time in Street Cars and he decided to utilize the time so passed in learning the languages. The success of this studious economy of moments was evinced in his acquiring a reading acquaintance with 12 languages. He was also a student of Natural History and the first collection of mosses and lichens belonging to the Long Island Historical Society are of his classifying.
“Mr. Brainerd began his work as an amateur photographer in 1858. He was then 13 years old, and he made some crude cameras with which he took small ambrotypes. He continued to make cameras aiming all the time to take instantaneous subjects. He repeatedly mentioned that the happiest moment of his life was when he developed his first successful picture of this kind. A few years ago he perfected a system for photographing the Vocal organs. Since then laryngeal photographing is an established success. This statement is limited to a few words, but the actual labor involved in the achievement was very great, since Dr. Thomas H. French of Brooklyn made and Mr. Brainerd developed 2,500 exposures before their first fair success was attained.
“Dr. Thomas R. French read a paper before the Section of Laryngology, at the International Medical Congress, Copenhagen Aug. 15, 1884, on this subject for which great credit was given to him and to Mr. Brainerd for their success in these experiments, as no such success had been attained heretofore in his time.
“He left a large collection of 2,500 negatives of views of Long Island, Connecticut River, Hudson River and Street Views of New York and Brooklyn which have since been donated to the Brooklyn Academy of Photography. He also left a large collection of Bird’s Skins numbering 400, also a fine collection of shells, minerals, etc. His herbarium consisting of Phonogamous plants, ferns, mosses, lichens, and algea have been donated to the Brooklyn Institute and also the Bird Skins.”
(Born November 27, 1845 in Haddam Neck, Connecticut. Died April 14, 1887 in his 42nd year.)
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 207. View Original
September 22, 1939
49 Catholic Church, Westbury
150 Lefferts House, Flatbush 1877
151 Jeremish Lott House, Flatbush 1877
152 Schoonmarker House, Flatbush 1877
153 Martense house, Flatbush 1877
156 Algeo house, Flatbush
157 Bay Ridge 1877
158 Gables & Iron Cow, Coney Island 1879
159 Erasmus Hall, Flatbush
160 Cortelyou House, Flatbush 1877
162 Railroad Station Car Stables Flatbush
163 William H. Clarkson House Nr. St. Pauls, Flatbush 1877
164 Old Vanderbilt house, Flatbush
165 Mrs. F. L. Vanderbilt House, Flatbush
166 Cortelyou House, Ft. Hamilton 1877
168 Floral Gazette, Flatbush
169 Clarkson House, Flatbush
170 John Lott’s house, Flatbush 1877
171 St. Paul’s Church, Flatbush
172 Caton house, Flatbush E. Bway
173 Hess House, Flatbush
174 Bergen House, Flatbush
175 Fort Hamilton, Bay Ridge
176 Robinson House, Flatbush
178 Murphy House, Flatbush 1877
181 Toll Gate, Flatbush
132 Town Hall, Flatbush
183 Reformed Mission, Flatbush 1877
184 Williamson House, Churchlane, Flatbush
185 Public School #1, Flatbush
193 Farm house at Woodbury
265 From Reservoir, Union Street, Brooklyn
268 Prospect Hill Reservoir, Brooklyn
382 Dr. Bartlett’s House (Melrose Hall) Flatbush 1877
383 L. A. Wilbur House, Flatbush
384 Flatbush Steeple, Flatbush (Dutch Reform)
385 Shaffers Houses Flatbush 1877
390 Flatbush Steeple South, Flatbush 1877
392 Flatbush Steeple North, Flatbush 1877
394 H. Jeremiah Lott House So. End Of Town, Flatbush
395 Three Houses, Wm. Brown, J. D. Price, Drug Store - Flatbush, 1877
397 Flatbush - Nelson House, James Lefferts, D. M. Tredwell
399 Flatbush Catholic Church
400 Matthews House, Flatbush
419 First Baptist Church, Flathush
420 Church & House, No Title, East on Church Ave. D.R. Church on Right - Flatbush
422 Group Of Houses, East From D.R. Church Steeple In Flatbush Collection
672 Lorin Palmers House, Middle Haddam, Connecticut 1877
673 Henry Floods, Middle Haddam, Connecticut 1877
705 Sentry, Ft. Hamilton, Brooklyn
706 Wreck on Beach, Coney Island, Brooklyn
716 Bridge, Prospect Park, Brooklyn 1874
718 Shore From Dock, Bay Ridge, Brooklyn
726 Rose Arbor In Winter, Prospect Park, Brooklyn
727 Snow Scene, Prospect Park, Brooklyn
730 Dairy House, Prospect Park, Brooklyn 1874
731 Owl’s head, Bay Ridge, Brooklyn
826A Dinner In The Lane, Staten Island
827 Atheneum, Bay Ridge, Brooklyn
824 Methodist Church, Flatbush
840 St. Pauls Church, Flatbush 1874
848 College Point, Long Island
853 Flushing, Long Island
873 Up Delaware From Pen. Mt. 1876
1016 Saw Mill At Bronx
1020 Washingtons Headquarters, Brooklyn
1163 V111-61 Dock House Down 1877
1279 Sparkill
1299 Hamilton Ave., Brooklyn 1877
1301 Orphan Asylum, Brooklyn
1302 Engineers Headquarters Nr. Parkway 1864
1311 Down Raymond Street, Brooklyn 1874
1423 On Beach At Coney Island
1432 Raymond Street Nr. Fulton, Brooklyn
1433 Prospect Park, South Brooklyn 1873
1522A Oriental Hotel, Coney Island 1877
1548 Vessel At Peck Slip, New York City
1552 Five Points, New York City
1571 Steel Works, Troy, New York
1588 Rag Picker, Brooklyn
1593 From Montague Terrace, Brooklyn
1594 Plaza, Brooklyn
1595 Fulton St. From Flatbush Ave., Brooklyn Toward City Hall 186
1597 Old Letter Carrier, Brooklyn
1598 Grape Vender, Brooklyn
1601 Dump, Prospect Park, Brooklyn
1602 P.H. Gate House, Nassau Water Works, Brooklyn
1604A City Hall Park, Brooklyn
1605 Navy Street & Tabernacle, Brooklyn
1606 Bridge From Train, Brooklyn, N. Y.
1611 2 Ladies & Boy Skating, Prospect Park; Brooklyn
1614 Bridge Pier (Brooklyn) ?
1617 Foot Race (Lantern Slide)
1739 Hull of Mayflower
1740 Cotton Atlantic Dock, Brooklyn
1742 Vessel Tipped Over In Dock
1745 Races, Sheepshead Bay, Brooklyn
1746 Atlantic Dock, Brooklyn
1748 Erie Basin, Brooklyn
1761 Ft. Hamilton, Brooklyn
1762 Post Office Site, Brooklyn
1766 Old Sailor & Ship, Fulton St., Brooklyn
1772 Dry Plate Harbor Scene, Brooklyn 1883 or 1884
1774 Skating, Prospect Park, Brooklyn
1779 Atlantic Dock, Brooklyn
1730 Sham Battle Coming Out Of The Woods 1875
1781 Columbia Street, Brooklyn
1782 Ship Yard Foot of Court St., Brooklyn
1785 Clinton Street, Brooklyn
1786 Skating Chair, Prospect Park, Brooklyn 1875
1787 Boys Sliding, Ft. Greene Park, Brooklyn 1875
1791 Lawn Tennis, Prospect Park, Brooklyn
1795 Park woman, Brooklyn
1797 Pie Man, Brooklyn
1600 Swabian Benches, Brooklyn
1802 Taking Prisoners To Court, Brooklyn
1804 Sham Battle Tree, Prospect Park, Brooklyn 1885
1805 Jonny Smiths Boat House, Erie Basin, Brooklyn
1806 Sham Battle Soldiers In Plaza, Prospect Park, Brooklyn
1808 Bridge, Brooklyn
1809 Mayflower In Dock, Brooklyn
1811 Accordion Player
1813 Entrance to Prospect Park, Brooklyn 1885
1814 Atlantic Dock, Brooklyn ? (coll.)
1815 News Boys, Brooklyn
1816 Columbia St., Brooklyn
1818 Longshoreman, Brooklyn
1619 Shanties, Fourth Ave., Brooklyn
1823 Cor. Henry & Joralemen St., Brooklyn
2106 Bathers, Coney Island, Brooklyn
2107 Coney Island
2109 Baby,-Beach View, Coney Island
2124 Boy & Dog, Iron Pier, Coney Island
Flatbush and Church Ave., Brooklyn in the 1870’s and today (#384)
Borough Hall, Brooklyn in the 1870’s and today (#1604-A)
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 210-3. View Original
December 23, 1939
New accessions of the Brooklyn Museum acquired in November and December will be arranged as a special exhibition opening December 29th to run through January 28th. On the same date prints from the George Brainard collection of photographic plates of scenes of New York and vicinity from 1870 to 1880 will be put on permanent exhibition in a fifth floor gallery.
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 11-12/1939, 329. View Original
September 12, 1939
About 160 prints of scenes of Brooklyn and Long Island in the period of 1870 to 1880 taken from negatives made by George B. Brainard will be shown at the Brooklyn Museum from September 22 to October 8. The exhibited prints will be selected from the more than 2000 negatives that are a possession of the Museum. This showing will be coincident with and related to the Convention of the Photographic Society of America which will be held in New York from October 1st to 8th. Herman de Wetter, A. R.P.S., Photographer for the Brooklyn Museum and Chairman of the Museum Committee for the Convention is arranging the exhibition.
Brainard was an indefatigable photographer, as is evidenced by the large collection of negatives now owned by the Museum, He was also meticulous about labelling each negative so that its scene and subject are unmistakable today. His field of operations, according to the collection, was Long Island, the Connecticut shore and the Hudson Valleys Manhattan scenes will be included in an exhibition to be held in Manhattan, The exhibition at the Brooklyn Museum will show what a mine of pictorial records is available to the press and the interested public and will show a great many startling contrasts between the 70’s and now, in the center of Brooklyn, for instance.
Curiously enough this collection was sent to the Museum twenty years ago when an old residence was emptied-arid for years the negatives were stored in the basement, Only recently it was decided by the Photographic Department to investigate the acquisition with the result that a remarkable wealth of interesting and amusing records has been discovered.
(Note to Editor: For the duration of the exhibition photographs for publicity purposes will be available free. After that the Museum will make a charge of 50c/ a print to defray expenses of printing and preservation.)
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 203. View Original
September 16, 1939
Ten exhibitions are already on the Brooklyn Museum’s exhibition schedule for the 1939-1940 season. As an opener, in order to be current with the style news, an exhibition of a more or less preliminary character opened on Saturday, September 9th, called Style Foundations--Corsets and Fashions of Yesterday and Today, to run through October 1st.
The first exhibition of the season opens on Friday, September 22nd, and will be called “Long Island in the 70’s". It will be a showing of some 160 prints of Brooklyn and Long Island scenes taken from a collection of over 2000 negatives of scenes in Long Island, Connecticut, New Jersey and the Hudson Valley, taken by George B. Brainard and acquired by the Museum twenty years ago. Only recently these negatives were brought to light by the Photographic Department. It will exhibit a cross section of the Long Island subjects and will demonstrate the character of the hundreds of records that Brainard made during his busy photographing days. Closing date is October 8th.
In memory of William A. Putnam, who made possible the Museum’s Print Room, an exhibition will be arranged to be called “The Putnam Memorial Print Exhibition” to run from October 7th through the 29th. It will consist of prints by Rembrandt, the gift of Mr. and Mrs. Putnam, and other graphic material from the Brooklyn Museum collection.
The year’s accessions will be put on view from Saturday, October 14th, through Sunday, the 29th.1 This will be followed by the first large comprehensive show of the season which will be as complete a collection as possible of masks, drawing for the most part from the Museum’s own possessions. The masks are to be shown in groups according to use. The exhibition will run from Tuesday, October 24th, to Monday, January 1st.
Following will be a watercolor exhibition which will form a memorial to both George Pearse Ennis and Paul L. Gill. This will be shown from Saturday, November 4th, through Sunday, November 26th. This is the last opening scheduled for the calendar year. After the first of the year on Wednesday, January 17th, there will be an extensive showing of the work of Eastman Johnson to run through Sunday, February 25th. Work has been under way for several months to collect examples of this painter that have not been shown before.
On February 9th an exhibition of etchings by Rodolphe Bresdin will be put on view through Sunday, March 31st.
The second large exhibition of the year will be a complete costume show, drawn, as the mask exhibition will be, principally from the Museum’s own collection. This exhibition will open on Tuesday, March 12th, and continue through Sunday, May 5th.
The last exhibition to open this season according to the present schedule will be that of Brooklyn Artists, which will be on view from Friday, April 5th, to Sunday, the 28th. From time to time there will be small special exhibitions that will take form during the season.
LIST BELOW, ABOVE INFORMATION IN TABULAR FORM
Style Foundations---Corsets and Fashions of Yesterday and Today. September 9th through October 1st.
Photographs by George B. Brainard. “Long Island in the 70s.” September 22nd through October 8th.
Putnam Memorial Print Exhibition. October 7th through October 29th.
Recent Accessions. October 14th through October 29th.
Masks, October 24th through January 1st.
George Pearse Ennis and Paul L. Gill Watercolor Exhibition. November 4th through November 26th.
Eastman Johnson Exhibition. January 17th through February 25th.
Rodolphe Bresdin Exhibition. February 9th through March 31st.
Costume Show. March 12th through May 5th.
Brooklyn Artists. April 5th through April 28th.
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 204-5. View Original
September 22, 1939
Old photographic scenes of Brooklyn with special emphasis on Flatbush, Bay Ridge and Coney Island as they looked between 1870 and 1889 will go on view today at the Brooklyn Museum. The exhibition will consist of a selection of 134 prints from several hundred negatives taken from a collection of over 2000 negatives that belong to the Museum and are known as the George B. Brainard Collection. The exhibition will last from Friday, September 22nd, through Sunday, October 8th.
Negatives from which these prints were selected were turned over to the Museum some twenty years ago when a house on Gates Avenue was emptied. For years they rested in the Museum’s basement and only recently the Photographic Department was able to investigate the property.
The result was the discovery of a mine of amusing and interesting records of 67 communities on Long Island including Brooklyn; Manhattan; the Bronx; Troy, New York; Fort Lee, Highland, Sandy Hook and Weehawken, New Jersey; and Newport, Rhode Island. For the benefit of Brooklyn residents this Brooklyn showing has been confined almost entirely to local scenes. Other communities will be represented in another photographic exhibition in Manhattan, as this introduction of the Brainard Collection is coincident with and related to the Convention of the Photographic Society of America which will be held in New York from October 1st to October 8th. Herman de Wetter, A.R.P.S., photographer for the Brooklyn Museum and Chairman of the Museum Committee for the Convention is arranging the exhibition.
As can be deduced from the size of the collection of negatives, George B. Brainard was an indefatigable photographer. Not only that, he was careful to label each negative with its scene and subject. The exhibition at the Brooklyn Museum will include an informal photograph of himself, several action street scenes in Brooklyn and a great many views of different parts of the community showing in many cases what passed as good pavements in those days and a great many land marks that Brooklyn residents can either see now or will remember. In several instances the scenes of the past and of today will be shown side by side.
(NOTE TO THE EDITOR: Catalogue list of the exhibition will be sent to you in the next mail.)
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 07-09/1939, 209. View Original
December 29, 1939
A comprehensive selection of photographic prints by George Brainard early candid shot photographer, whose collection of 2500 plates taken in the 1870’s is owned by the Brooklyn Museum, will be put on permanent view by the Museum beginning Friday, December 29th, as the interest in the collection has been constant since the recent exhibition of Brooklyn and Long Island scenes.
This time all areas in which he took pictures will be represented which will include Long Island, Staten Island, Brooklyn, Manhattan and the Bronx; near-by New York State, Connecticut and New Jersey; Upstate New York, Rhode Island, Philadelphia and Delaware.
Negatives from which these prints were selected were turned over to the Museum some twenty years ago when a house on Gates Avenue was emptied. For years they rested in the Museum’s basement and only recently the Photographic Department was able to investigate the property. The result was the discovery of a mine of amusing and interesting records of 67 communities.
As can be deduced from the size of the collection of negatives, George B. Brainard was an indefatigable photographer. Not only that, he was careful to label each negative with its scene and subject.
Brainard started his work as an amateur photographer in 1858 at the age of 13. He made his own camera and continued to make others for several years. Aside from his candid camera work he did interesting medical photography after he had perfected a system for photographing the vocal organs. There is a record that he and Dr. Thomas H. of Brooklyn made and developed 2500 laryngeal exposures before attained their first fair success. Along with this work he also a collection of 400 bird skins as well as an interesting herbarium which he donated to the Brooklyn Institute.
In 1878 he was a Deputy Water Purveyor of the City of Brooklyn and published a work entitled Water Works of Brooklyn. Since his duties made it necessary for him to spend a great deal of time in street cars---in contrast to present water commissioners---he spent the time learning twelve languages.
(See accompanying extract from Brainard Genealogy for further details).
The Brainerd-Brainard Genealogy - . Vol 2, pg. 154
Published by Case, Lockwood & Brainard Co., 1908.
George Bradford Brainerd 4th child of Diodate Brainerd and Rebecca Haddam Neck, Conn.
George Bradford Brainerd graduated at the Polytecnic Institute of New York in 1865, as Civil Engineer. He held the position of Deputy Purveyor in the Brooklyn Water Works for 17 years. In early life developed a taste for the study of the Natural Sciences and also for Photography and the Languages.
An extract from a memorial read before the Brooklyn Academy of Photography will give a more accurate account of his pursuits, “In 1873. Mr. Brainerd was Deputy Water Purveyor of the City of Brooklyn, and published a work entitled Water Works of Brooklyn, in which he showed a thorough acquaintance with the Geological, Chemical, and the general sanitary features of the subject. His work as Water Purveyor obliged him to spend much time in Street Cars and he decided to utilize the time so passed in learning the languages. The success of this studious economy of moments was evinced in his acquiring a reading acquaintance with 12 languages. He was also a student of Natural History and the first collection of mosses and lichens belonging to the Long Island Historical Society are of his classifying.
“Mr. Brainerd began his work as an amateur photographer in 1858. He was then 13 years old, and he made some crude cameras with which he took small ambrotypes. He continued to make cameras aiming all the time to take instantaneous subjects. He repeatedly mentioned that the happiest moment of his life was when he developed his first successful picture of this kind. A few years ago he perfected a system for photographing the Vocal organs. Since then laryngeal photographing is an established success. This statement is limited to a few words, but the actual labor involved in the achievement was very great, since Dr. Thomas R. French of Brooklyn made and Mr. Brainerd developed 2,500 exposures before their first fair success was attained.
“Dr. Thomas H. French read a paper before the Section of Laryngology, at the International Medical Congress, Copenhagen Aug. 15, 1884, on this subject for which great credit was given to him and to Mr. Brainerd for their success in these experiments, as no such success had been attained heretofore in his time.
“He left a large collection of 2,500 negatives of views of Long Island, Connecticut River, Hudson River and Street Views of New York and Brooklyn which have since been donated to the Brooklyn Academy of Photography. He also left a large collection of Bird’s Skins numbering 400, also a fine collection of shells, minerals, etc. His herbarium consisting of Phonogambus plants, ferns, moss, lichens, and algea have been donated to the Brooklyn Institute and also the Bird Skins.”
(Born November 27, 1845 in Haddam Neck, Connecticut.
Died April 14, 1887 in his 42nd year.)
Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 11-12/1939, 322-3. View Original
