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Que Chiquito es el Mundo


Manuel Alvarez Bravo grew up during the Mexican Revolution (1910−20), a formative period that strengthened his sense of kinship with his homeland. During this time he was introduced to the medium of photography, and he bought his first camera in 1924. Initially working in the Pictorialist tradition, Alvarez Bravo started to experiment with abstract compositions in the late 1920s. In 1927 he befriended the Italian photographer Tina Modotti, who had been living and working in Mexico since 1923, and he later took over her job as a staff photographer at the magazine Mexican Folkways. This post helped him cultivate his own vision, as he developed emblematic themes of Mexican identity blended with unconscious imagery reflecting dreams and chance.

In this photograph, Alvarez Bravo uses the everyday to create a compelling vision of Mexico’s urban landscape. The horizontal expanse of wall centers the layered composition, separating the world above from the one below. Two figures, seemingly unaware of each other, pass on the empty street, while stark white laundry hangs in the domestic space above, its brightness creating a link to the woman’s package below. Despite the solidity of the wall, the passersby and flowing fabric suggest the ephemerality of this fleeting moment.
MEDIUM Gelatin silver photograph
DATES 1942
DIMENSIONS image: 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm) sheet: 7 7/8 x 9 7/8 in. (20 x 25.1 cm)  (show scale)
SIGNATURE Signed in graphite on lower right of verso: "M. Alvarez Bravo"
CREDIT LINE Gift of William Berley
MUSEUM LOCATION This item is not on view
CAPTION Manuel Álvarez Bravo (Mexican, 1902-2002). Que Chiquito es el Mundo, 1942. Gelatin silver photograph, image: 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm). Brooklyn Museum, Gift of William Berley, 79.294.15. © artist or artist's estate (Photo: Brooklyn Museum, 79.294.15_PS1.jpg)
EDITION Edition: ?/100
IMAGE overall, 79.294.15_PS1.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT © Colette Urbajtel/Asociación Manuel Álvarez Bravo
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