Arts of Africa
Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks may be directed against those who disrespect or attempt to harm the initiates, or it may be used to cure illness and promote prosperity. Often brightly colored and surmounted by animal figures, these masks depict past elders and lineage heads—people who command a great deal of respect and who make important decisions affecting the community.
Wood, raffia, pigment
26 x 21 in. (66.0 x 53.3 cm)
height of head and animal: 16 1/2 in. (41.9 cm)
width of head: 9 in. (22.9 cm) (show scale)
This item is not on view
Gift of Dr. and Mrs. Abbott A. Lippman
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Suku. Hemba Mask, 20th century. Wood, raffia, pigment, 26 x 21 in. (66.0 x 53.3 cm). Brooklyn Museum, Gift of Dr. and Mrs. Abbott A. Lippman, 85.143. Creative Commons-BY (Photo: Brooklyn Museum, 85.143_SL1.jpg)
overall, 85.143_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Painted wood mask, surmounted by 4-legged animal, raffia fringe attached to holes at base of mask. Face tilted slightly backwards; mouth is open with upper row of jagged teeth; protruding almond-shaped eyes and painted eyebrows; three vertical paint marks under each eye; each quadrant of face marked by predominant color - green white, blue, red-brown; traces of green-yellow paint on right side. Helmet composed of central crest with two overlapping layers on each side: surmounted by 4-legged animal painted green with horn on top of head. Large split on right side, extending from base to top of head. CONDITION: Blue paint flaking on upper right side of face. Crack on left side of face extends upward from base. Piece missing from left side of helmet; caked substance along right side dry and flaking.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.