Paolo and Francesca
On View: Robert E. Blum Gallery, 1st floor
Paolo and Francesca is one of only two direct references in The Gates of Hell to the “Inferno” portion of Dante’s Divine Comedy. Dante encounters the couple in the second circle of Hell, where carnal sinners are punished. There, the condemned and slain pair, whose love was unconsummated, are together forever, constantly reminded of their first kiss but unable to satisfy their most passionate desires. Francesca confesses to Dante that there is “no greater grief than to recall a bygone happiness.” Rodin accentuated their eternal frustration by inserting a mass between their writhing bodies.
For Paolo’s yearning and tender face, Rodin reused his small Head of Sorrow (seen nearby).
before 1886, cast 1981
11 3/4 x 23 1/4 x 10 5/8 in. (29.8 x 59.1 x 27.0 cm) (show scale)
On base, below female figure's buttocks:
".Georges Rudier./.Fondeur. Paris."
On shelf supporting male figure's extended foot: "© by Musée Rodin 1981"
Behind male figure: "A. Rodin No 4"
Gift of the Iris and B. Gerald Cantor Foundation
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Auguste Rodin (French, 1840-1917). Paolo and Francesca, before 1886, cast 1981. Bronze, 11 3/4 x 23 1/4 x 10 5/8 in. (29.8 x 59.1 x 27.0 cm). Brooklyn Museum, Gift of the Iris and B. Gerald Cantor Foundation, 86.1. Creative Commons-BY (Photo: Brooklyn Museum, 86.1_SL1.jpg)
overall, 86.1_SL1.jpg. Brooklyn Museum photograph
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