Ushabti of Yuf-o
Egyptian, Classical, Ancient Near Eastern Art
Dynasty 26 to Dynasty 30
3 9/16 x 1 1/16 x 11/16 in. (9 x 2.8 x 1.8 cm)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Ushabti of Yuf-o, 664-343 B.C.E. Faience, 3 9/16 x 1 1/16 x 11/16 in. (9 x 2.8 x 1.8 cm) . Brooklyn Museum, Charles Edwin Wilbour Fund, 37.230E. Creative Commons-BY (Photo: Brooklyn Museum, CUR.37.230E_view4.jpg)
. Brooklyn Museum photograph, 2014
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
[One of] fifteen faience mummiform ushabtis of 'Iw.f "3, Iuefaa. Each wears a non-striated tripartite wig. The hands are crossed, right over left, the right holding a hoe and the left a pick. A single column of inscription occurs on the back pillar.
Condition: All the figures are black in color, some with glaze intact. The discoloration is due to either misfiring at the time of their making or to their being subjected to fire at some later date. The overall modeling of the facial features is poor. Many of them show damage as well as crack marks and pitting
The writing of the name shows three variations:
.227E, .230E, .234E, .241E
.228E, .229E, .231E, .232E, .236E, .237E, .238E, .239E, .240E, .233E
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.