Hatsune Riding Grounds, Bakuro-cho, No. 6 in One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
The three colorful strips of cloth in the foreground of this print are not celebratory banners but bolts of cloth that dyers have hung out to dry. Hiroshige emphasizes the cloth's materiality by embossing a textured weave pattern on the surface of the white bolt. In the distance stands one of the many fire-watch towers scattered throughout the city. The buildings below were largely devoted to lodging visitors to Edo, maintaining the long-established function of this site as a point of entry and departure for travelers from the north.
9th month of 1857
Edo Period, Ansei Era
Image: 13 1/4 x 8 5/8 in. (33.7 x 21.9 cm)
Sheet: 14 3/8 x 9 3/16 in. (36.5 x 23.3 cm) (show scale)
No publisher's seal visible, probably lost when left edge was trimmed,
This item is not on view
Gift of Anna Ferris
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Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Hatsune Riding Grounds, Bakuro-cho, No. 6 in One Hundred Famous Views of Edo, 9th month of 1857. Woodblock print, Image: 13 1/4 x 8 5/8 in. (33.7 x 21.9 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.6 (Photo: Brooklyn Museum, 30.1478.6_PS1.jpg)
overall, 30.1478.6_PS1.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Spring scene of the open space known as Hatsune no Baba, located in downtown Edo not far from Asakusa Gate. This space was originally a horse-riding grounds (baba) for practice by the shogun's retainers, the oldest of several such in Edo (see Pl. 115 for another). By Hiroshige's time, however, it no longer played a role in the defense of Edo but was now retained as an idle space in a crowded part of the city, with willows planted around its perimeter. This print provides evidence that dyers from Kon ya-cho, several blocks to the west (see Pl. 75) had taken to using the space for drying their cloth, three blots of which are strung between posts in the foreground. In the background to the left is a watchtower for fires. The buildings below are largely devoted to lodgings for visitors to Edo, maintaining the long-established function of this site at a point of entry and departure along the Oshu highway for travelers from the north. The open area, besides being used for drying newly dyed cloth, was also used at night by nearby match makers for testing the quality of their sulphur. Difficult to see in reproduction is the textured cloth pattern on the white strip of cloth, created by a technique known as nunome-zuri, "fabric-printing." This technique was used frequently in the first paintings of the "One Hundred Famous Views of Edo," most commonly in the title cartouches, but also as here when actual fabric was depicted. It was achieved by pressing a piece of silk into the moistened paper, leaving the pattern of the weave delicately embossed on the surface.
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