Dawn Inside the Yoshiwara, No. 38 in One Hundred Views of Edo
Utagawa Hiroshige (Ando)
Daybreak had classic associations in Japanese literature with parting lovers, and the scene played out by the four figures at the center of this print is in keeping with that tradition. It is early dawn in the Yoshiwara, the popular licensed pleasure quarters for the Edo demimonde. To the left is a departing guest, his "cheek-cover hood" discreetly in place for the journey home. An attendant to the rear seems anxious to return to bed, while another one with a lantern stands in front of the guest, facing awkwardly away from him and toward the courtesan, who is clad in a bright-red overgarment and wears raised black clogs that mark her high rank.
4th month of 1857
Edo Period, Ansei Era
Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm)
Image: 13 1/4 x 9 in. (33.7 x 22.9 cm) (show scale)
No publisher's seal visible, probably lost when left margin was trimmed.
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Dawn Inside the Yoshiwara, No. 38 in One Hundred Views of Edo, 4th month of 1857. Woodblock print, Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.38 (Photo: Brooklyn Museum, 30.1478.38_PS1.jpg)
overall, 30.1478.38_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Dawn in the Yoshiwara licensed quarter, at Sumicho, the "corner district," which leads out into the central avenue of Nakanocho. On the left is Omon Gate, the one point of entry and departure for visitors to the Yoshiwara. In the center of the street, a lantern still glows and to the left there are four figures, one of whom is the guest, his "cheek-cover hood" (hokammuri-zukin) in place. An attendant to the rear with a lantern stands in front of the guest. The courtesan wears a bright red overgarment and raised black clogs that denote her high rank (she does not face the guest). The cherry trees depicted here were a peculiar Yoshiwara custom. Each year they were transplanted to a raised bed of soil along the main avenue in the Yoshiwara quarter for the duration of their bloom and then removed.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.