Blossoms on the Tama River Embankment, No. 42 in One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
The "Tama River," actually the Tama River Aqueduct, carried much of the drinking water for the city of Edo along a thirty-mile course. Hiroshige's springtime view vividly conveys a freshness and vitality befitting this lifeline. The cherry trees were planted along much of the embankment in the 1730s. The placement was not only aesthetic but also practical: the trees' roots strengthened the banks, and their petals and leaves were thought to possess antitoxic powers that kept the water pure.
2nd month of 1856
Edo Period, Ansei Era
14 5/16 x 9 5/16in. (36.4 x 23.7cm)
Image: 14 5/16 x 9 5/16 in. (36.4 x 23.7 cm)
Sheet: 12 15/16 x 8 3/4 in. (32.9 x 22.2 cm) (show scale)
No publisher's seal visible, probably lsot when the left margin was trimmed.
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Blossoms on the Tama River Embankment, No. 42 in One Hundred Famous Views of Edo, 2nd month of 1856. Woodblock print, 14 5/16 x 9 5/16in. (36.4 x 23.7cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.42 (Photo: Brooklyn Museum, 30.1478.42_PS1.jpg)
overall, 30.1478.42_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
The Tama River Aqueduct shown here was constructed in 1653-54. It carried drinking water for the city of Edo along a 30-mile course, and continued to carry much of the water supply for the city of Tokyo until the 1960's. Then the old Edo wooden system was replaced with modern equipment and this part of the canal, no longer needed, was paved over. The cherry trees along the embankment were planted in the 1730's and were not only a source of beauty, but helped to keep the water pure through the allegedly antitoxic powers of the leaves and petals. To the left is the entrance to one of the smaller samurai estates. In the Edo period, most of this park was the estate of the Naito clan, lords of Takata; subsequently, it served as an agricultural college, a private imperial garden and since 1949 as a public park. The two-story buildings mark the Naito Shinjuku settlement, where one can see a customer and three "serving girls" as they were known, in the rear quarters of a brothel to the right of the canal.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.